Order Link for My New Chapbook is Now Up

From Every Moment a Second

The prepublication sales period for my new chapbook, From Every Moment a Second, begins today, June 13, and runs through August 11. The book’s tentative release date is October 6. Please note:  prepublication sales determine the print run, which means this stage is crucial in terms of how many copies will be printed and the number of copies I’ll receive as payment. So if you feel inclined to help, and are able, please purchase your copy during this period. Order here.

Many thanks to the members of this blog community for supporting my writing. I sit alone in my shack to write, but you are there with me, just a keyboard away. I am truly grateful for your wisdom and humor and willingness to help me traverse the strange and wonderful worlds of poetry and publication.

My New Chapbook to be Published by Finishing Line Press

From Every Moment a Second

The prepublication sales period for my new chapbook, From Every Moment a Second, begins tomorrow, June 13, and runs through August 11. The book’s tentative release date is October 6. Please note:  prepublication sales determine the print run, which means this stage is crucial in terms of how many copies will be printed and how many copies I’ll receive as payment. So if you feel inclined to help, and are able, please order your copy during this period. I will post the order link when it becomes available.

Many thanks to the members of this blog community for supporting my writing. I sit alone in my shack to write, but you are there with me, just a keyboard away. I am truly grateful for your wisdom and humor and willingness to help me traverse the strange and wonderful worlds of poetry and publication.

Apricot House (after Wang Wei)

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Apricot House (after Wang Wei)

We cut the finest apricot for roof beams
and braided fragrant grasses over them.

I wonder if clouds might form there
and rain upon this world?

The transliteration on Chinese-poems.com reads:

Fine apricot cut for roofbeam
Fragrant cogongrass tie for eaves
Not know ridgepole in cloud
Go make people among rain

Each adaptation poses its challenges, and this one was certainly no exception.
First I identified key words and determined how or whether to use them.
Apricot, roofbeam, cogongrass, eaves, ridgepole, cloud, people, rain.

Apricot was a given. It offered specificity, and feels lovely in the mouth. Roof beams, as well. Cogongrass didn’t make the cut. It is indeed used for thatched roofs in southeast Asia, but it felt clumsy; in this case, the specificity it lent detracted from my reading. And rather than use “thatched” I chose “braided” to imply the layered effect of thatching, and to imply movement, to mesh with and support the idea of clouds forming and drifting under the roof. “Not know” posed a question: did it mean ignorance or simply being unaware, or perhaps a state of wonderment? I first employed “unaware” but thought it took the poem in a different direction than Wang Wei intended (but who knows?). “Ridgepole” seemed unnecessary. So I chose to let the reader follow the unsaid – using “form there” to reinforce the impression already shaped by the roof beams and the grasses “over them.” I admit to some trepidation over the second couplet. It may still need work.

clouds

“Apricot House” first appeared here in December 2014.

Two Poems in Steel Toe Review

My poems “How to Do Nothing” and “And All Around, the Withered” have been published in Volume Four of Steel Toe Review, available for purchase here.

Many thanks to editor M. David Hornbuckle for taking these pieces.

 

Two Poems in GFT Presents: One in Four

My poems “The Boy Who Wouldn’t Hoe Corn” and “Scarecrow Believes” are included in GFT Presents: One in Four, a semiannual, print literary journal published by GFT Press, and available for purchase here.

Balance

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Balance

Navigating
by stars,

one ball
buried,

another
gathering,

the dung
beetle

straight-lines,
maintains

position,
forever

looking forward
and up.

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“Balance” first appeared here in February 2016.

More Jim Harrison

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Chef Mario Batali interviews Jim Harrison in this brief Food & Wine article. I particularly enjoyed Harrison’s take on America’s “big curse,” and his reply to the last question is priceless.

 

 

Recording of “In Praise of Rain”

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In Praise of Rain

Which is not to say lightning or hail.
Sometimes I forget to open the umbrella

until my glasses remind me: Wake up, you’re
wet! If scarcity breeds

value, what is a thunderhead worth
in July? A light shower in August?

Even spreadsheets can’t tell us.

***

“In Praise of Rain” has appeared here several times, but this is the recording’s debut.

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Tell it Slant: How to Write a Wise Poem, essay by Camille Dungy

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Few essays on writing poetry grab me by the collar, slam me against the wall, and say “Listen, dammit!” But this one did.

Camille Dungy’s words sear through the fog. She tells it slant. She tells it true. She explains how some masters have done it. If you’ve not read her poetry, seek it out. You’re in for a treat. If you have the good fortune to attend a lecture or reading by her, do so. She’s energetic, wise and kind. She knows.

http://www.poetryfoundation.org/article/247926

Originally posted in June 2014.

Scarecrow Dances

 

Scarecrow Dances

A case of the almost
tapping into the deed:

I dance in daylight,
but never on stairs

nor in countable
patterns, the wind

and birds my only
partners. When the

left arm twitches
counter to the right

hand’s frisk, my
head swivels with

the breeze, catching
my feet in pointe,

a moment endured
in humor. Luther

Robinson switched names
with his brother Bill

and became Bojangles,
but my brothers remain

nameless and silent,
flapping without desire

or intent. Why am I
as I am, born of no

mother, stitched and
stuffed, never nurtured

but left to become this
fluttering entity, thinking,

always thinking, whirling,
flowing rhythmically

in sequence, in time
to unheard music?

No one answers me.
But for now, I dance.

 


“Scarecrow Dances” first appeared in The Blue Nib in September 2016.