Kites
Will viewpoint shift with my spine’s slow
compression, or will this
window admit only true images
in the shortened days to come?
I pencil phrases on bone-shaped kites
and release them to the afternoon.
Call them prayers, name them moans.
Each string is a regret freed, a separate
skeleton, let go. My two selves shudder
in the attempt. I await the perfect breeze.
“Kites” first appeared here in July 2016.
Gaza
We presume affliction by census,
whereas light
requires no faith.
Is the roofless house a home? When you call
who answers? The vulture
spreads its wings
but remains on post. Shifting,
I note minute of angle, windage. No
regrets, only tension. Breathe in. Exhale.
Again.
***
“Gaza” first appeared here in July, 2014, and is included in my chapbook, If Your Matter Could Reform.
Elegies for the Night (2002)
for W
1
You might palm a small token, damp and misshapen as the words
you expel, never admitting the dark truth.
Or the plundered life, neither black nor white, invisible yet whole.
Someone prays, yet all around silence reigns and the snow melts.
Possibilities cleansed in the light of misplaced certainty.
2
The charred wind’s fruit bears little resemblance to its predecessor.
And later, within the garden’s stones, what remains
but an acrid taste on the tongues of the speechless?
And if the bones have dispersed where might their thoughts reside?
The wind takes nothing it does not want.
The wind wants nothing.
Nothing remains.
I am afraid, she said. Please tell me.
3
Though the moon returns in its diminished
state, I shall not listen. Words
turn back and eat
themselves, exposing intent
behind form, consonants beneath
vowels lying in wait. Abandonment.
And further senseless
debates: gain from loss, shock and awe,
the incessant demand for others to do
not what you would do but what you would have them do.
I claim no insight,
but even the light you reveal burns unclean.
4
Despair and its siblings fall to mind.
Scarcities: clean water, air, the simplest meal
when ashes swirl and fingers burn long after
the rain. My son, my son,
and other cries lost in the sand.
If he listened what sounds could he bear,
what sights, which odors? I tremble and lie still.
* * *
“Elegies for the Night” first appeared in Boston Poetry Magazine in April 2014.
Endurance, 1946
Unaware of the day’s movements, she paints her
reply to the bracelet of light flaring above
the horizon. Tomorrow’s edict is gather,
as in retrieving a sister’s bones in black
rain, reassembling in thought
a smile that could not endure despite
its beauty. I seek a place
of nourishment and find empty bowls.
What is the symbol for peace, for planet?
How do we relinquish the incinerated voice?
Under the vault of ribs lie exiled words, more
bones, and beneath them, relentless darkness.
And whose bodies mingle in this earth?
Whose tongue withers from disuse?
The eight muscles react to separate stimuli,
four to change shape and four to alter position.
Turning, she places the brush on the sill
and opens the window to the breeze.
Exit the light, exit all prayer. Ten strokes
form breath. She does not taste the wind.
“Endurance, 1946” first appeared here in January 2015, and was published in Fahmidan Journal in November 2020. Thank you editors Ranna Kisswani and Anthony R. Salandy for taking this piece.
Having Survived Myself I Lean Away
You know that
but not
why
the mockingbird mocks,
or how one note
marries others,
forming blissful
chords. And the skies
flaring each night
betraying your willful
ignorance,
while you paint
the words for love
in seven languages
you can’t
speak.
Where are you now,
whose bodies
have you denied,
wrapped in linen,
bagged or boxed,
arriving unseen?
Sagging, I observe your
counted victories, the
smirk claiming
exceptionalism
and destiny or
nobility of purpose,
as even your own shadow
recoils.
This first appeared here in October 2015.
The Stone Remains Silent Even When Disturbed
In whose tongue
do you dream?
I fall closer to death
than birth, yet
the moon’s sliver
still parts the bare
branches and an unfilled
trench divides the
ground. Bit by bit,
we separate – you
remain in the earth,
recumbent, as I gather
years in stride.
Even the rain
leaves us alone.
This first appeared in December 2015.
May you find peace and joy in the coming year.
The Question is Never
Who will lock the door
or leap in front of the jacketed
bullet. Nor is it four words
born in lust and camouflaged
with piety. No one cares
if you blink or continue
breathing. No one knows
what you think. Nothing
matters. Not the pen
in her hand or your finger
on the trigger. Not the crying
and the dead and the stains
in the hallway, the man
in the street hiding behind
himself. The question
is no question, but an answer
struggling to emerge. Never
formed, never truly complete.
“The Question is Never” first appeared on Vox Populi in June 2018.
Shakuhachi Blues
That waver,
like the end of a long
dream flickering to wakefulness,
or an origami crane
unfolding between whiskey
poured and the tale of deceit
and a good woman done wrong.
Air flutters through this bamboo
tube, and it seems I control
nothing. Inhaling, I try again.
A simple instrument that will take a lifetime to learn…
Aleppo
A father sings to his son,
dead two days,
and the platitudes persist.
Widow of night. Lantern’s trick.
What trace, you wonder,
exists of humanity in these etched
walls? Light bleeds through a crack
like rules unheeded and scattered.
Another sheer looming of hours.
The song, continued.
“Aleppo” was first published in Vox Populi in August 2018. I am grateful to editor Michael Simms for his continuing support of my work.
O at the Edges 