Lament for Five White Cat (after Mei Yao-ch’en)

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Lament for Five White Cat (after Mei Yao-ch’en)

Five White cat always made sure
no rats gnawed my books,
but this morning Five White died.

On the river I offered up rice and fish,
and buried you in its lazy currents,
chanting my lament. I could never neglect you.

One time you caught a rat
and carried it squealing around the yard
to frighten all the other rats
and keep my cottage clear of them.

We’ve shared space aboard this boat,
and although the food is meager
it’s free of rat piss and droppings
because you were so diligent,
more so than any chicken or pig.

Some people speak highly of horses,
saying nothing compares to them or donkeys.
But we’re done with that discussion!

My tears prove it so.

The transliteration from Chinese-poems.com:

Self have 5 white cat
Rat not invade my books
Today morning 5 white die
Sacrifice with rice and fish
See off it at middle river
Incantation you not you neglect
Before you bite one rat
Hold in mouth cry around yard remove
Want cause crowd rat frightened
Thought will clear my cottage
From board boat come
Boat in together room live
Dry grain although its thin
Evade eat drip steal from
This real you have industriousness
Have industriousness surpass chicken pig
Ordinary person stress spur horse drive
Say not like horse donkey
Already finish not again discuss
For you somewhat cry

A Song Dynasty poet, Mei Yao-ch’en (or Mei Yaochen) died in 1060. His great poems live on.

This adaptation first appeared in November 2014, and is for one of my favorite poets, Jeff Schwaner, whose Mei Yao-ch’en sequence has entertained, inspired and enlightened me. You can find the sequence here: http://jeffschwaner.com/mei-yao-chen-sequence/

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Setting Fire to the Rose Garden

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“Setting Fire to the Rose Garden” was my sixteenth poem for the Tupelo Press 30/30 Project last August. Many thanks to Lily June, who sponsored and provided the title.

Setting Fire to the Rose Garden

Each flower is a gift, a testament to
another morning’s arrival.
I watch you tend the firestar, its
mango-colored petals flirting with

the fire ’n’ ice’s elegant
red, accepting the pink indictment
of the flaming peace, and the
scarlet fireglow’s blush. You are like

a new sunlight crossing the day,
yet when I wave, a cloud passes over
you. Flames differ in this regard,
knowing they exist only as the product

of heat, oxidation and combustible
material, yet sharing their brief lives
with all who care to notice. I inhale
your dark thoughts, holding them

within, but later assemble my own
bouquet — wood chips and diesel
fuel, ground spinners, snakes,
strobes, rockets, candles, shells,

repeaters and a spark timer — and
plant it fondly in the garden. Oh,
how they’ll blossom before dawn’s
first touch. How they will shine.

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A Brief History of Edges

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A Brief History of Edges

This road leads nowhere. I live at its end where breezes
wilt and the sun still burns my darkened skin.

I’ve sailed to Oman, but have never seen the Dakotas.
My friend searches for the concealed parable in this truth.

An early clay map depicted Babylon surrounded by a bitter river,
and an island named the sun is hidden and nothing can be seen.

Fitting the limitless within boundaries, she remembers no one.
The lighted sign says boots, but I see books.

Venturing from the shadows, she offers an accord: intersecting borders,
we must retain ourselves, deliver what calls.

In our place between the hidden and the invisible, consider
that neon gas possesses neither color nor odor.

What lives in creases and at the periphery? The isle called beyond
the flight of birds has crumbled from the lower edge.

Where I stand defines my portion of the spherical earth.
Crossing lines, I look to the sky, its bisected clouds.

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The Fog (after H.D.)

Man in fog

 The Fog (after H.D.)

I am dead.
You avoid me.
I open like a shell.
You expose me with your breath.
What am I, heartless one?

H.D.’s poem “The Pool” was the launching point for this piece.

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“Agave” on poems2go

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My poem “Agave” is one of five featured this month on poems2go

poems2go offers poetry to take with you, tuck in your pocket, your wallet, or to share. Five poets are featured monthly and multiple copies of their poems are printed on 4″x 6″ loose-leafed paper and distributed to selected cafes and/or bookstores for patrons to peruse and take 2 go.

“Agave” was first published in Ijagun Poetry Journal, and is also included in my micro-chapbook,You Break What Falls (Origami Poems Project), available via free download.

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Calm

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Calm (after H.D.)

I flow over the ground,
healing its hidden scar–
the scar is black,
the bedrock risen,
not one stone is misplaced.

I relieve the ground’s
burden with white froth,
I fill and comply—
I have thrown a pebble
into the night,
it returns to me,
settles and rises,
a white dove.

“Calm” made its first appearance in March 2015, and was written as an exercise, using a poem, “Storm,” by H.D. as the launching point. I’ve tried to emulate her diction and rhythm, with mixed success. Still, it’s fun to try these on occasion.

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Irretrievable

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Irretrievable

How we grieve the simplest
truths: we are

the scatterings,

relics of
the mind’s
erosions,

less than the sum
of our bodies. I cannot see
the word

but it smokes like
the color green
burning, but not of
flame, and once

the knife enters
you must avoid
its secretion

and peel the flesh
to reveal
what hides within:

the stem’s
purchase, pith,
seeds,

the irretrievable
shape

of a word
my lips cannot
form.

***

“Irretrievable” first appeared in a slightly different form in Vayavya, in December 2013.

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Video of April 15th Reading

Tupelo Press Reading

Left to right: Christine Beck, Katy Chrisler, Robert Okaji, D.G. Geis, Pamela Paek, Ronnie K. Stephens, d. ellis phelps

I was so pleased to read with this group of incredible poets, and to meet in person Kirsten Miles, the Tupelo Press National Director for the 30-30 Project. She is an insightful, multi-talented and absolutely delightful person. I wish we’d had more time to chat. My portion starts about four minutes in, but please take the time to hear Kirsten’s introduction. There are six other videos (poets have their own videos), and I urge you to watch them all.

Tupelo Press 30/30 Reading, Austin

Thank you to the staff at Malvern Books, and to Jeff, Cate and Plain Jane for sponsoring these poems last August.

For more information on the Tupelo Press 30-30 Project, go to the 30/30 site, or feel free to contact me for a participant’s viewpoint.

 

 

End of the Road

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End of the Road (2002)

Neither expected nor sought, truth arrives.
One phrase, a minute turn of the

wrist, and the beginning reverses itself, becomes
vessel versus point, illuminating

the reach: one sign, two paths. The agave.
How far we’ve come to affect this place.

Last season the flowers were gray and we knew nothing.
Even the stones quivered with laughter.

And then it rained. And the creeks rose, and the bedrock
appeared as if to say your efforts lack

substance. Look underfoot. There lies the truth.
Neither expected nor sought, it arrives.

 

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Icarus

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Icarus

Currents of breath, the slight curve and lift
within a single motion, once

poised then released as if to say
the wind is mine, or wait,
I am alone –

the story we most fear, not height nor gravity’s
fist, but to exist apart, shadow and

mouth, rain and smile, feather
and sun, all denials reciprocal,

each tied fast and renewed.

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