To the Lovely Green Beetles Who Carried My Notes into the Afternoon

 

To the Lovely Green Beetles Who Carried My Notes into the Afternoon

Such beauty should not be bound,
thus I tied loose knots,

knowing you would slip free
and shed my words

as they were meant,
across browned lawns,

just over the cedar fence
or at the curb’s edge,

never to be assembled,
and better for it.

 

* * *

This appeared in riverSedge Volume 29, Issue 1, released in October 2016, and is included in my chapbook, From Every Moment a Second. I first encountered riverSedge in 1983, and vowed that one day my poetry would be published in this journal. It took a while…

BUY MY BOOK, OR THE CHIHUAHUA GETS

(Pardon the interruption. The book in question is I Have a Bird to Whistle (7 Palinodes), published by Luminous Press, and available here to U.S. residents for $7.50, shipping included. Non-U.S. purchasers can order it directly from me by emailing aBirdtoWhistle@yahoo.com.)

…A BELLY RUB!

WHAT? YOU WERE EXPECTING SOMETHING ELSE?

 

 

 

Overlooked

 

Overlooked

How immemorable, he thinks,
drilling into the wall.
Another hole, another day.
Fill them, and still others
beg creation.

Say mouth. Say void,
followed by tongue and burden,
by orifice and bland. Say
invisible. Empty. Say forget.

That we plan is given.
But who writes the manual
to our lives? The hammer

does not shiver at the thought
of itself. Take this board
and remove only that portion
the screw will occupy.

Level the hook. Admire
the work. Adjust.
Do this twice.

 

* * *

“Overlooked” was published in Mantle in August 2017. Many thanks to editor James Croal Jackson for his kind words and for taking this poem.

Before We Knew

 

Before We Knew

All thought of consequence
melted with that first touch
of tongue to skin, no respite
to be found in that heat,

no shade at all. I recall
hitching a ride later with a
German couple who lit up
and passed the joint without

asking, and after their
Cinquecento sputtered away,
I walked down to the bar at the
waterfront for an espresso and

to watch the lights spark along
the bay.  A few times a week
I’d see a boat putter in and tie up,
and the one-armed man would

display his catch or a carton
of bartered Lucky Strikes, but
not this night. The moon
weighed heavy on my shoulders

as I trudged home, remembering
the way you’d smiled and said,
from some place I’d never
witnessed before, come here,

now, as if I could have said no and
turned around, as if another urge
could have inserted itself
in that moment, in that life, ever.

* * *

“Before We Knew,” first appeared in Sleet Magazine in August 2018. I am grateful to editor Susan Solomon for taking this poem.

 

 

Self-Portrait as Hoot Owl

 

Self-Portrait as Hoot Owl

Who do you think I am, what will
grace serve, where in this moonless
void might you lie, can we echo
through the hours and never attach
ourselves to one discernable tree?
Is query my only song? Is sadness
yours? Wrapped around these
priceless silhouettes, our voices
merge downhill near the creek’s
rustle, below the seeping clouds
and stars yet somehow above the
night and tomorrow’s slow ascent
into more questions, more doubt.

 

* * *

“Self-Portrait as Hoot Owl” first appeared in Issue 125 of Right Hand PointingThank you to editors Dale Wisely, Laura M. Kaminski, F. John Sharp and José Angel Araguz for taking this piece.

 

Poem Up at Allegro Poetry Magazine

 

My poem “Home: Living Between” is up at Allegro Poetry Magazine. Scroll down to read it. Thank you, Sally Long, for taking this poem.

 

 

 

What a Patriot Dreams

I confess that I’ve ordered multiple copies of this book, because I know I’ll give some away. And the pre-publication sale price of $6.50 is nearly 50% off!

stephanielharper's avatarSLHARPERPOETRY

Starlight 03
What a Patriot Dreams

I saw the flags come down—
their masts falling like the trees
flattened by shockwaves
in those clips of old footage
from military nuclear bomb tests,
spliced into high school history documentaries.

They weren’t projected celluloid etchings
that teenagers confined to plastic chairs
could summarily cancel
with one hand motioning No
in the universal vernacular…

Caught in a wash of floodlights
on the indigo summer dusk,
the red-white-blue swaths crushed
in on themselves like torn parachutes,
& all vanished at once—deposed

by morning’s first, grainy insinuations
that breached the blinds’ periphery,
& accreted into a single, silent force
creeping along my bedroom walls,
as if to thwart illumination:

In this country of my own
birth & citizenship, I’ve, in turn,
given birth to two, precious children—

my riven heart’s two halves now trussed
in a spectacular fiasco of feathers & wax.

STEPHANIE L. HARPER

“What a…

View original post 107 more words

Poem Up at Thirteen Myna Birds

 

My odd poem “No Rain Will Fall” is up at Thirteen Myna Birds. Scroll down to read it. Thank you, Juliet Cook, for taking this poem.

 

 

Self-Portrait as Compost

 

Self-Portrait as Compost

Beneath the surface find warmth,
the fruit of decay and mastication,
of layered mixes and intermingled
juices. Disintegrated or whole,
still I strive to speak. Bits of me
meld, to be absorbed slowly; I
process and am processed: here,
within the pepper bush’s deep red
berries, there among the dianthus.
Scattered, deliberately placed,
having been, I shall emerge again,
forever changed, limitless, renewed.

 

* * *

 

“Self-Portrait as Compost” was first published in Issue 125 of Right Hand PointingThank you to editors Dale Wisely, Laura M. Kaminski, F. John Sharp and José Angel Araguz for taking this piece.

 

 

Poem Up at Poppy Road Review

 

My poem “Flame” is up at Poppy Road Review. “Flame” was first published in my chapbook, From Every Moment a Second; the chapbook’s title is taken from a line in this poem. Thank you, editor Sandy Benitez, for taking this poem.

Available at Amazon.Com and Here