How to Do Nothing

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How to Do Nothing

First you must wash the window to observe more clearly
the dandelion seed heads bobbing in the wind. Next,

announce on Facebook and Twitter that you will be offline
for the next two days, if not forever. Heat water for tea.

Remember the bill you forgot to pay, and then cleanse
your mind of all regret. Consider industrial solvents

and the smoothness of sand-scoured stone, the miracle
of erasure. Eliminate all thought, but remember

the water. Hitch a ride on a Miles Davis solo and float
away on a raft of bluesy notes and lions’ teeth,

and wonder how to sabotage your neighbor’s leaf blower,
but nicely, of course. She’s a widow with a gun.

Now it is time to empty yourself. Close your eyes.
Become a single drop of dew on a constellation of petals.

Evaporate, share the bliss. Stuff that dog’s bark
into a lock box alongside the tapping at the door,

the phone’s vibration, the neighbor’s rumbling bass,
and the nagging, forgotten something that won’t

solidify until three in the morning, keeping you awake.
But don’t ignore the whistling. You must steep the tea.

 

* * *

“How to Do Nothing” was published in Volume 4 of Steel Toe Review.

steel toe

 

A Herd of Watermelon

 

A Herd of Watermelon

My work tools include rubber boots, a hydraulic
jack and snake tongs. Prevention over cure, always.

A helicopter’s shadow crosses the yard.
I sweat in cold weather; today even the shade burns.

Ants swarm a dead bat on the gravel.
No keys for these locks, no fire for that place.

Stepping inside, the city welcomes me.
We drain coffers for this grass, and hope for rain.

This morning two deer jumped the east fence while I
updated software. The significance eludes us.

A dream of watermelons rising from their viny beds,
lumbering through the field to the creek. Rebellion!

How many have sat at this desk before me, plotting
murders and rumors or rhymes. Die, mosquito. Die!

 

 

“A Herd of Watermelon” was drafted during the August 2016 Tupelo Press 30-30 Challenge. Thank you to Plain Jane for sponsoring the poem and providing the title. Alas, my time at this very special place has ended. No longer in Texas, I seek work elsewhere. What will I find?

 

Black Lilies

 

Black Lilies

Flensing words, slicing deeper: all, nothing,
red to redder. Their skin, paling to nothing.

I speak today but you hear yesterday.
Black lilies in the chill of nothing.

Drifted apart, the two halves reconcile.
Yellowed, whitened. Older. Both stitched in nothing.

How many words have we lost to morning? Shredded
syllables sparring for sound. The nothing of nothing.

A coated voice, turquoise and calm, spreading across the room.
Buttered light. Pleasantries, unfolding. You, being nothing.

The language of night sleeps unformed in my bed.
I remember your hand on my cheek; flesh forgets nothing.

 

* * *

A near-ghazal, “Black Lilies” first appeared in ISACOUSTIC* in January 2018.

Poem Up at Trestle Ties

 

My poem “Down and Away” is live at Trestle Ties. Many thanks to Juleen Eun Sun Johnson and Aaron Schuman for taking this piece.

 

 

 

River Carry Me

 

River Carry Me

I approach the window with closed eyes.

In this case, the between dissolves.

Without form and weight, still you linger.

A ticketless morning unfolds.

The water flows in braids, through stone and air.

Before my limits enact pity, before falling fruit.

Images condensed throughout the night.

An inheritance of trees curving towards the horizon.

One exactly as another’s, only different.

 

* * *

“River Carry Me” first appeared in Underfoot in October 2017.

Well Pump

Well Pump

To be within, yet without: the rootless seed.
Staring through glass, we see only the surface
sliced thin like cell-thick specimen slides.
I dream of knowing, of inclusion.
The well pump is fried, but only thieves
return our calls. How to deflect the lure
of complicity? Stack stone, observe clouds.
Tap the cistern. Absorb its hollow tune.

 

* * *

“Well Pump” first appeared in January 2018 in Amethyst Review.

Many thanks to editor Sarah Law for accepting it.

Vision in Far Infrared

 

Vision in Far Infrared

Considering the implications of dust and cold gas, the expanding
universe and cryostats, I climb the stairs and shiver.

Thermal infrared may propagate in a vacuum, but we require
oxygen and warmth. Pillows and a sense of humor help, too.

What will come of the images captured by the Herschel telescope
in the next eon and those following? These maelstroms, blossoming.

I look up from my front porch and see the streetlight’s glare
rather than stars. Yesterday, lizards coupled on my shack’s wall.

Nebulosity in vision, in politics. Look through this eyepiece to find
horseheads and archers, bright flames and clouds. Or nothing.

Red and yellow filaments could indicate newly forming low-mass
stars. The visible is only one component of perception.

Hubble observes in multiple spectra, but not the far infrared.
Even the long-reaching may be overcome by inadequacies.

Do not forget the body’s warmth. Remember black lights and purpose,
the tangible thought. Recall that we exist at rest, ever in motion.

 

 

* * *

“Vision in Far Infrared” was drafted during the August 2016 Tupelo Press 30/30 Challenge. I am grateful to Angela for sponsoring the poem and providing the title and these three words: nebulosity, eon, maelstrom.

 

Recording of “Balance”

star lights


Balance

Navigating
by stars,

one ball
buried,

another
gathering,

the dung
beetle

straight-lines,
maintains

position,
forever

looking forward
and up.

 

image

“Balance” first appeared here in February 2016, and is included in my just released micro-chapbook Only This, available for free download from Origami Poems Project.

“Nightdreams” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

 

Creek Haibun

 

Creek Haibun

The creek’s waters flow so quickly that I make little headway in my attempt to cross. A water moccasin slips by, and my left boot takes on water. This is not real, I say. We’ve had no rain and I would not be so foolish as to do this. Asleep? Perhaps, but I’ve passed the halfway point and have no choice but to move forward. I slip and nearly pitch headfirst into the dark current. Lightning stitches the sky.

dreaming, the snake

swims against floodwaters

oh, what have I lost?

 

RO

Ro

When this note fades
will it join you in that place
above the sky
or below the waves
of the earth’s plump
body? Or will it
circle back, returning to
my lips and this
hollow day
to aspire again?

 

 

Note: Ro designates the fingering required to produce a particular note on the shakuhachi, the traditional Japanese bamboo flute. In this case, closing all holes.