This Water Knows

One of my favorite poets! Lynne Burnett’s book is beautifully wrought. I’ve read the manuscript multiple times, and can’t wait to receive the published version. Pre-publication sales continue for the next few days.

Lynne Burnett's avatarLynne Burnett

Photo by Alex Suprun on Unsplash

Below this whale song of waves: the fin-happy,
sounding through all the dumb canyons
of the sea, coloured crayon-bright in the dark
flooded basement of the earth, shadow-drifted
across aqueous meadows prismed with light,
blending with gray rock and white sand,
knobby coral and long swishy green,
ferned and prickled, smoothed and elongated,
troubled hard, dense, small

but here, and free—
the mute-mouthed, mandibled hungry
and the hunted—to a grotto-chased,
honorable death. Or those given eyes
to see the dangling hook, the silver
door swinging shut before it’s too late.
Those at least, weapons in the hand.
Not a cavernous ground zero.
Not here.

But this water knows, in its reach, how
my bikini got its name. Makes me think
of dreams I barely had, so quickly did they
sink from sight, but whose notes floated
long after, as if there was something
I…

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Insomnia

 

Insomnia

Lying awake
at two in the morning,

wondering
how a dog would suffer

sleeplessness –
silently, or with little

growls and snuffles,
scratching at its

padded bed
in exasperation,

circling, turning
back, again.

I roll to the left,
then to the right,

and flat on my back,
groaning at the pain

in my hip and the anger
of the day’s impending

bull on my shoulders,
and the looming

banshee cry
of that damned alarm.

Three Poems Up at ISACOUSTIC

 

My poems “Black Lilies,” “Forgotten” and “Palinode (Texas, cedar, misery)” are featured at ISACOUSTIC. Many thanks to editor Barton Smock for taking these.

Huazi Ridge (After Wang Wei)

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Huazi Ridge

Limitless birds merging
with the autumn-colored hills
all along Huazi Ridge
this sadness, too, without end

Another adaptation. I hope that I’ve not strayed too far from the original’s tone.

The transliteration on Chinese-Poems.com offers:

Fly bird go no limit
Join mountain again autumn colour
Up down Huazi Ridge
Melancholy feeling what extreme

 

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“Huazi Ridge” last appeared on the blog in June 2016.

Self-Portrait with Knife

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Self-Portrait with Knife

Lacking benefit of prayer or belief,
it slips through flesh,

praising its temerity. Or,
parting the onion’s core, reclaims
the right to weep.

How many nights have we shared
these pleasures? I smooth the blade

with steel, listening to the fine hum.

 

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“Self-Portrait with Knife” first appeared here in January 2015.

Forced to Eat Soft Food, I Consider Options

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Forced to Eat Soft Food, I Consider Options

What good is pizza to one who can’t eat it? I’m thinking of a rolled crust
stuffed with prosciutto and parmesan, with onion strands and whole

basil leaves nestled among them, accompanied by a frothy pale ale,
bitter yet smooth and tuned so finely as to flit comfortably between the

notes of a liquid arpeggio. Or if not pizza, perhaps a red chili of braised
and shredded beef seasoned with ancho and chipotle and a smidgeon

of chocolate and beer, simmered slowly and served on the year’s
coldest day in front of the fireplace. I have so much and am grateful

for so little. My clothes are warm and dry, and the eggs I’ve poached
offer me sustenance and flavor and textures wrought of memories

of childhood and comfort, family and treasured books at hand. Then
I think of water and protectors, of standing rocks and centuries of

abuse and neglect and lies bred to fill coffers, and I wonder if we
could pile stones ten horses high around the cowards who spray,

bludgeon and strip search, who fire water cannons in sub-freezing
temperatures, and throw concussion grenades directly at pacifists, all

for the cause of holy oil. What good is pizza to those who can’t swallow?
I fork a bite of egg to my mouth, and choke, but only for a moment.

 

pizza

 

Written while recovering from abdominal surgery, this appeared on the blog in December 2016 just a day or two after the first draft spilled out. Unusual for me, to say the least, but it was a topical piece. Let us not forget those who stand for us and others.

Letter from the Other Side of Halfway

Stephanie L. Harper sends a letter from “The Other Side of Halfway.”

stephanielharper's avatarSLHARPERPOETRY

Western MeadowlarkFor Robert Okaji

Dear Bob: In one of my former incarnations
as a starving, family-less, twenty-something Grad
Student, well before the advent of emails & texting,
when handwritten sentiments on stationery were still
in vogue, I certainly sent my share of “Dear Bob Letters.”
The recipients thereof, on the whole a far cry from being
remotely “Bob-like,” included a number of real posers,
some of whom now strut & crow on Facebook like
the ancient, hoary roosters (read: cocks) they clearly are.
As for the others (more of them than you might imagine),
they’re all dead, several by their own hands, even—a stone-
cold statistic (the seeming synchronicity of which is tough
to ignore) I frequently grapple with, sorting through conjured,
a posteriori details & associated, surreal imagery by day, &
chasing after egotistical ghosts in my über-symbolic dreams
by night, always with the conviction that some message for me

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New Year

tea


New Year

How transparent you’ve become:
even the leaves blow through

your pockets, and penitents
line up, awaiting the latest word.

Those who have, fear the most.
Each day collapses under its own

weight, rising again into the new.
Surgery brooks no illusions;

this house, too, will fail.
Owning little, I pour tea and wait.

bench

“New Year” first appeared here on January 1, 2017.

Poem Up at Spider Mirror

 

My poem “Hunger is Hunger” is up at Spider Mirror.

The poem was drafted during the August 2015 Tupelo Press 30-30 challenge.

Countdown: #1, Recording of “The Draft”

My last five posts of 2017 are reruns of five of the most viewed posts on this site during the year.

 

The Draft

All memories ignite, he says, recalling
the odor of accelerants and charred

friends. Yesterday I walked to the sea
and looking into its deep crush

sensed something unseen washing
out, between tides and a shell-cut foot,

sand and the gull’s drift, or the early names
I assign to faces. This is not sadness.

Somewhere the called numbers meet.

* * *

“The Draft” first appeared in Taos Journal of International Poetry & Art.

By far, the most popular post on the blog in 2017, bolstered, no doubt, by a plug on WordPress’s Discover.