Self-Portrait with Orbit

planet231

 

Self-Portrait with Orbit

An arced path around a central point, bound to but held apart,
as in night’s returning grace, or standing waves.

In periapsis, you reach out as I slowly withdraw.

Gravity does not prevent departure but prolongs it.

The acceleration of a body is equal to the sum of the gravitational forces,
divided by its mass. I rise from the chair but can’t escape.

Not circular but elliptical.

Where falling away and curving from never meet.

Realizing that I am neither focus nor center, I discover place
in symmetry, in flow and subtraction.

A cloud obscures the sun and you close your eyes.

I wither at the thought of scaling or relative size, or your departure.

In the simplest Klemperer rosette, four bodies cycle their dances,
heavy, light, heavy, light, in a rhombic configuration.

My arteries fill in opposition to desire.

Wanting you, I absolve weight and listen, accept my place.

 

old man grammo - upsidedown

 

“Self-Portrait with Orbit” last appeared on the blog in October 2017, and is included in The Circumference of Other, my offering in the Silver Birch Press publication, IDES: A Collection of Poetry Chapbooks, available on Amazon.

 

 

Self-Portrait as Compost

 

Self-Portrait as Compost

Beneath the surface find warmth,
the fruit of decay and mastication,
of layered mixes and intermingled
juices. Disintegrated or whole,
still I strive to speak. Bits of me
meld, to be absorbed slowly; I
process and am processed: here,
within the pepper bush’s deep red
berries, there among the dianthus.
Scattered, deliberately placed,
having been, I shall emerge again,
forever changed, limitless, renewed.

 

* * *

 

“Self-Portrait as Compost” was first published in Issue 125 of Right Hand PointingThank you to editors Dale Wisely, Laura M. Kaminski, F. John Sharp and José Angel Araguz for taking this piece.

 

 

Musing on My New Chapbook (4)

I Have a Bird to Whistle is available for purchase now.

From where do these poems come?

The seventh poem in the chapbook, (salt, mask, descent), was begun two months after I’d survived a heart attack, a particular type known commonly as the “widow maker,” and only a few hours after I’d learned a friend had died. The questions that arose from both events have never been answered.

The book is available here to U.S. residents for $7.50, shipping included.

Non-U.S. purchasers can order it directly from me by emailing aBirdtoWhistle@yahoo.com.

Thanks very much for supporting my work. I can’t begin to describe how grateful I am to you all.

Poem Up at Poppy Road Review

 

My poem “Flame” is up at Poppy Road Review. “Flame” was first published in my chapbook, From Every Moment a Second; the chapbook’s title is taken from a line in this poem. Thank you, editor Sandy Benitez, for taking this poem.

Available at Amazon.Com and Here

 

Publication Day! And More Good News!

 

February 25th marked the official publication date of my new chapbook, I Have a Bird to Whistle (7 Palinodes), available here, and if that wasn’t enough to get excited about, I also signed the contract for my next one, The Sadness of Old Fences, which will be published sometime in the distant future.

Thank you, poetry community, for supporting my work!

Scarecrow Ascends

 

Scarecrow Ascends

Fixed yet not immobile, I watch bits of me drift
over the wavering grain, a diaspora of disparate
selves once gathered. Some openings are blessings.
Others encourage dispersion. Yesterday’s coat-breech
is now a hole from which I trickle. Think of politics,
and how the tiniest crack may expand and engulf
its body, how one lie gains heft through repetition
at the expense of truth, driving fear. And to what
end? More wealth by exclusion? Power? Everything
dissipates. Even those mountains looming over
state houses, even the sun and its gravity, even your
idols and their power over reason. Had I no purpose
I would gladly rip open these rags and beg the wind
to carry me high, piece by fragment, to mingle with
the clouds and the rains to come and the refracted
light from afar, perhaps to glimpse something greater
ahead. Perhaps merely to dispel, to become undone.

 

* * *

“Scarecrow Ascends” first appeared in Sleet in August 2018.

 

Earth Keeps Spinning

 

Earth Keeps Spinning

What book
do I pull from the shelf
in this hour
marking my friend’s
return to that light-drenched

inkling before everything
collapses?

Which title, which
weight shall I
covet? What
do we hold if not
each other?

Being no one, I cannot say.
The earth keeps spinning
even as I walk
to the mailbox,
anticipating new words.

He cannot read these lines.

I do not write them.

 

* * *

“Earth Keeps Spinning” was first published by Red River Review in August 2018.

 

 

Pre-Publication Order Period for My New Chapbook Ends Today, February 24

I have a bird box

 

The publication date for I Have a Bird to Whistle (7 Palinodes) is February 25, and Luminous Press is currently offering copies for $7.50, shipping included, to U.S. addresses, through the 24th. Unfortunately, Luminous doesn’t ship internationally, but I will take care of those orders myself.

Order link for U.S. shipping addresses.

Contact me at aBirdtoWhistle@yahoo.com for orders to be shipped outside the U.S.

 

Apricot Wood (with recording)

clouds

 

 

Apricot Wood

I built a frame of apricot
wood. This was for you. The clouds float
through it even as I sleep. You wrote
once of wild herbs gathered and brought
to a lovely girl, an offering not
of passion but of some remote
desire to hear a word from the throat
of the Lord Within Clouds. I thought
of this as I chiseled the wood.
Last night it rained. I listened to
it from my bed by the open
window, hoping that the clouds would
not leave. This morning two birds flew
by. It is raining again.

 

file8641239202119

 

Originally penned in the 1980s, “Apricot Wood,” is included in my 2015 chapbook, If Your Matter Could Reform. It was first published in 1986, in SPSM&H, a publication devoted to sonnets, and was featured on Autumn Sky Poetry Daily in March 2015. It’s interesting to look at my writing from this period. Some pieces seem to have been written by a stranger, long ago and far, far away. This one somehow seems closer.