Sensing My Dismay at the Election Results, My Wife’s Dog Presses Against Me

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Sensing My Dismay at the Election Results, My Wife’s Dog Presses Against Me

And when I roll over, my toe finds a hole in the not
inexpensive 400 thread count percale sheet and rips

down its length, and I wonder if I should extend this
metaphor to include walls and the unbearable weight

of societal collapse, or hatred with small hands and
minds or faces like pale disks of whitewashed emptiness

glaring at my friends, or, well, my wife and I, across
the restaurant’s laminate booths or the potholed street

by the bus stop. I recall the woman’s sneer and hushed
commentary that afternoon, and though I wanted to

correct her mistaken assumption (hey, lady, I’m not
Hispanic) and redirect her bigotry to the correct ethnicity,

I chose instead to smile and wave goodbye, to drive to
the polls and cast my ballot, one drop in that dark bucket

of nothingness, floating alone, perhaps to coalesce with
others and attain some sense of parity and belonging,

or to remain outcast, bewildered, wondering how this
could be, what’s happened to us, my home, our country.

real-patriots

 

 

3 Centos Published in LONG EXPOSURE

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Three of my centos have been published in Long Exposure. Many thanks to editor Daniel Williams for taking these pieces (What the Body Gives, Gravity Takes; Still Hands; Chill) which have previously appeared on this blog.

 

 

3 Poems Up at Otoliths

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Three of my poems are now up at Otoliths. Many thanks to editor Mark Young for taking these odd (my word) pieces.

 

 

Still Life with Silence

 

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Still Life with Silence

Not two, but one,
invisible

and stretched between
stump and fence,

filled with
time, defining

implication. Empty
the pitcher. Accept

its limitations.
Listen to what is not.

pitcher

 

My Poem “Latitude” is featured at Poetry Breakfast

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My poem “Latitude” is on the menu at Poetry Breakfast. Many thanks to Cate T. for sponsoring the title during the August 2015 Tupelo Press 30/30 Challenge, and to Charlotte the hen for laying the egg that inspired the poem. I’m pleased that it’s landed at a breakfast joint!

 

 

Obsession: Books, or, Poetry Finds Me

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In another life books framed my days. I slept with them, dreamt about them, woke to their presence stacked by the bed and in various corners throughout the house, read them, handled them, discussed their merits with friends, co-workers, beer-drinking buddies, bartenders, customers, strangers, relatives, and even enemies. Traced my fingers slowly down their spines, identified some by odor alone, others by weight and feel. Bought, sold, cleaned, lent, skimmed, traded, gave, borrowed, collected, repaired, preserved, received. Traveled to acquire more, returned home to find still others languishing in never-opened, partially read or barely touched states. There were always too many. There were never enough.

The relationship began innocently. I’ve been an avid reader since the age of five, and over the years developed a knack for uncovering uncommon modern first editions. I’d walk into a thrift shop and spot a copy of William Kennedy’s first novel, The Ink Truck, snuggling up to Jane Fonda’s workout book, for a buck. Or at a small town antique store, something especially nice, perhaps a near-fine first edition of Cormac McCarthy’s Outer Dark, would leer at me from a dark shelf – $1.50. John Berryman’s Poems (New Directions, 1942) found me at a garage sale, for a quarter. Good Will yielded Pynchon’s Gravity’s Rainbow. There were others, of course. Many others.

I partnered with a few like-minded friends and opened a store, and when that didn’t work out, started my own home-based book business, which eventually expanded into a small brick-and-mortar shop, a true labor of love. And I mean labor. The forlorn space we rented was cheap and had housed for years a low-end, illicit massage parlor. Cleaning it out was, oh, shall we say interesting? I’ll never forget the furry massage table, the naked lady lamp or the various implements left behind after the joint was finally forced to close. But we hauled out the filthy carpeting, stripped and refinished the hardwood floors, fixed, painted and patched what we could, and hid what we couldn’t. It was exhausting, but well worth the toil.

My work schedule ran from Monday through Sunday, a minimum of eighty hours a week – in a seven-year period, I took off only two long weekends. It consumed me, but in the end I emerged mostly intact, a little more aware of my proclivities, of an unhealthy tendency to immerse myself wholly into an enthusiasm, to the detriment of family and friends. When we sold our store’s wares, I embraced the change; some dreams simply deplete you. But the itch remained.

Just a few weeks ago I found myself perusing an accumulation of books in a storage facility across the street from a junk shop in Llano, Texas, a small county seat an hour’s drive west of my home on the outskirts of Austin. The shop’s owner had purchased an English professor’s estate, and judging by the collection, the professor had specialized in poetry. My first thought was “I want it all,” but reason set in (I could very well imagine my wife’s reaction were I to arrive home with a trailerful of books) so I glanced over the criticism, fiction, drama, essays and biographies, and concentrated on the poetry. In the end I walked away with thirty-one books, including H.D.’s Red Roses for Bronze (Chatto & Windus, 1931), Randall Jarrell’s Little Friend, Little Friend, Elizabeth Bishop’s Collected Poems and Questions of Travel, a brace of Berrymans – His Toy, His Dream, His Rest and Homage to Mistress Bradstreet – both the U.S. and U.K. first editions, which differ – and Love & Fame. A good haul, to say the least, but one that left me only partially satisfied and contemplating a return. But I remain resolute. So far.

As I said, the itch remains…

This first appeared in April 2015.

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My Poem, Conjunctions and Other Synapses, is The Blue Nib Poem of the Day

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My poem, Conjunctions and Other Synapses, is today’s featured Poem of the Day on The Blue Nib site. Many thanks to The Blue Nib team!

 

dryer

Ritual

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Ritual

Placing the dead is seldom arbitrary.
The Marquis de Sade’s grave in the forest at Malmaison
was planted with acorns so that he might be consumed by
trees, but my wife desires a shady plot in rural Texas,
where no one will claim her. In old Christian
graveyards the unclean were buried at the gospel side for
sinners. When her best friend died, she and his former lover
split a bottle of Johnny Walker Black and listened to Puccini.
The Nuer of Sudan place deformed dead babies by the river,
returning them to their true fathers, the hippos. After the fog
crushed Stevie Ray’s helicopter, I played Texas Flood on the juke
box and quit my job. In China, bones channel feng shui, becoming
part of the active landscape. Though she wanted her ashes to drift
in the Pacific, my mother’s body lies in a national cemetery in
San Antonio. On the northwest coast of Canada, the Kwakiutl
left their dead to the ravens, and my father has proposed
on numerous occasions that we shove a hambone up his ass
and let the dogs drag him off. I do not believe we’ll follow his
suggestion. In old England, suicides were often interred at
crossroads, impaled, to impede their restless wandering spirits.
The Torajans sometimes keep bodies wrapped in layers of absorbent
cloth in their homes for years. I’d like my incinerated, pulverized
remains released in the jet stream, if only to escape economy class for
once. Jellyroll Morton’s grave is in Section N, Lot 347, #4, in the northwest
quadrant of Calvary Cemetery, but some villagers bury stillborn
near a dwelling’s outer wall. Hugh Hefner is rumored to have acquired
the spot next to Marilyn Monroe. Placing the dead is never arbitrary.

Originally published in Middle Gray in 2013, “Ritual” was reprinted in the anthology Heron Clan IIIand is included in The Circumference of Other, my offering in IDES: A Collection of Poetry Chapbooks. It also appeared here in July 2015 – the poem that refuses to die…

For those who might be interested, a glimpse at the genesis of the poem is included in this interview conducted by Dariel Suarez, the editor of Middle Gray: http://www.themiddlegray.com/mgblog/2013/12/19/robert-okaji

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Refusal Charm

skull

Refusal Charm

Every rock a precept —
a fist in a garden of palms

a skull is a skull
she says

and I am        no iris

overnight the green beetles
have learned flight

now they lumber
into windows

bright asteroids        falling

I prefer other voices
in the lantana        or dirt

mounded in grids
asking        may I come out

no      it is late      too late

oh

My “Moving” Poem is Up on Silver Birch Press

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This, too, was overlooked during the frenzy of the 30/30 Challenge in August, so I’m reposting it.

My poem, “Summer 1966: After France & Remembering Bobby, Who One Day Would Learn to Multiply and Divide, Write Love Poems, Define Home, Fight Unfairly and
Live with as Much Gusto as a 7-Year Old. Perhaps.” is featured on The Silver Birch Press “When I Moved” series.

This is a reworked version of a piece that originally appeared on the blog Holistic Journey.