I would listen eagerly to Linda Gregerson reading the ingredient labels on soup cans…
https://www.poets.org/poetsorg/poem/slip
Read her poem “Slip,” then listen to her voice. You won’t regret it.
I would listen eagerly to Linda Gregerson reading the ingredient labels on soup cans…
https://www.poets.org/poetsorg/poem/slip
Read her poem “Slip,” then listen to her voice. You won’t regret it.
Arthritis
If at night I stray in thought,
dreaming of nimble fingers
and my departed dog’s walk,
will you smile
when I scratch his absent ear
and apologize for the times
I failed him? Even combined,
all the words in these unread books
could never soothe the guilt
of leisure and complacency, nor
match the joy of jumping
for the kicked ball, no matter the
outcome, despite the consequences.
“Arthritis” is included in Indra’s Net: An International Anthology of Poetry in Aid of The Book Bus, and has appeared on the blog as well.
All profits from this anthology published by Bennison Books will go to The Book Bus, a charity which aims to improve child literacy rates in Africa, Asia and South America by providing children with books and the inspiration to read them.
Available at Amazon (UK) and Amazon (US)
Destined by Gravity to Fail, We Try
Having fallen from the roof not once, but twice,
I verify that it is not the fall but the sudden stop that hurts.
The objectivist sense of the little: the and a, my house in this world.
Galileo postulated that gravity accelerates all falling bodies at the same rate.
While their etymologies differ, failure and fall share commonalities,
though terminal velocity is not one.
The distance between the glimpsed and the demonstrated.
Enthralled in the moment, Icarus drowned.
Rumor has it his plunge was due not to melting wax but to an improper mix
of rectrices and remiges: parental failure.
Thrust and lift. Drag. Resistance.
Acknowledgment of form in reality, in things.
When the produced drag force equals the plummeting object’s weight, the
object will cease to accelerate and will move at a constant speed.
To calculate impact force accurately, include the stopping distance in height.
Followed by long periods of silence.
This first appeared on the blog in December 2015.
Biography (Cento)
I am becoming
one of the old
men, but you,
you are earth.
Where is the moment
that lingers,
the static of lost
voices and the feel
of the cleft in the bark.
Ask me anything.
Why am I
grown so cold?
Have you been here?
Thinking
is wind in a cage;
it does not say anything.
* * *
Credits:
James Wright, Cesare Pavese, Ruth Ellen Kocher, HD, Eduardo C. Corral,
Adelaide Crapsey, Denise Levertov, Blaga Dimitrova, Jacques Roubaud,
* * *
A cento is composed of lines from poems by other poets.
For further information and examples of the form, you might peruse the Academy of American Poets site: http://www.poets.org/poetsorg/text/poetic-form-cento
This first appeared here in September 2016.
To the Lovely Green Beetles Who Carried My Notes into the Afternoon
Such beauty should not be bound,
thus I tied loose knots,
knowing you would slip free
and shed my words
as they were meant,
across browned lawns,
just over the cedar fence
or at the curb’s edge,
never to be assembled,
and better for it.
* * *
This appeared in riverSedge Volume 29, Issue 1, released in October 2016, and is included in my chapbook, From Every Moment a Second. I first encountered riverSedge in 1983, and vowed that one day my poetry would be published in this journal. It took a while…
Overlooked
How immemorable, he thinks,
drilling into the wall.
Another hole, another day.
Fill them, and still others
beg creation.
Say mouth. Say void,
followed by tongue and burden,
by orifice and bland. Say
invisible. Empty. Say forget.
That we plan is given.
But who writes the manual
to our lives? The hammer
does not shiver at the thought
of itself. Take this board
and remove only that portion
the screw will occupy.
Level the hook. Admire
the work. Adjust.
Do this twice.
* * *
“Overlooked” was published in Mantle in August 2017. Many thanks to editor James Croal Jackson for his kind words and for taking this poem.
Before We Knew
All thought of consequence
melted with that first touch
of tongue to skin, no respite
to be found in that heat,
no shade at all. I recall
hitching a ride later with a
German couple who lit up
and passed the joint without
asking, and after their
Cinquecento sputtered away,
I walked down to the bar at the
waterfront for an espresso and
to watch the lights spark along
the bay. A few times a week
I’d see a boat putter in and tie up,
and the one-armed man would
display his catch or a carton
of bartered Lucky Strikes, but
not this night. The moon
weighed heavy on my shoulders
as I trudged home, remembering
the way you’d smiled and said,
from some place I’d never
witnessed before, come here,
now, as if I could have said no and
turned around, as if another urge
could have inserted itself
in that moment, in that life, ever.
* * *
“Before We Knew,” first appeared in Sleet Magazine in August 2018. I am grateful to editor Susan Solomon for taking this poem.
Acceptance Charm
She’ll take the river’s trace
over curl and leaf
and the street’s
dead end,
riveting eyes
even as they blink.
The narcotic’s benediction.
Renewal. Sleep.
That bed remains unmade,
stripped of purpose: no
caress a thigh would
recognize
dark fingers writing in air
“Acceptance Charm” last appeared here in April 2018.
My poem “Home: Living Between” is up at Allegro Poetry Magazine. Scroll down to read it. Thank you, Sally Long, for taking this poem.
My odd poem “No Rain Will Fall” is up at Thirteen Myna Birds. Scroll down to read it. Thank you, Juliet Cook, for taking this poem.