My poem “Lying in Bed I Think of Breakfast” is featured at The Big Windows Review. Thanks to editor Thomas Zimmerman for accepting this piece.
My poem “Lying in Bed I Think of Breakfast” is featured at The Big Windows Review. Thanks to editor Thomas Zimmerman for accepting this piece.
Sometimes Love is a Dry Gutter
Or a restless leaf, a footprint.
Is fault on a blameless day,
scrawled on a washed-out sky.
My friend’s music orbits his home,
worms through the cracks
in the bluest lines, ever new
and permanent, staining even his hope
long after the lights stutter away.
And the rain’s attenuated sorrows?
They’re coming, he says. Like goats
through a fence. Like lava. Like tomorrow.
* * *
“Sometimes Love is a Dry Gutter” was first featured at Vox Populi in January 2017. I’m grateful to editor Michael Sims for supporting my work.
As Blue Fades
Which defines you best, a creaking lid or the light-turned flower?
The coffee’s steam or smoke wafting from your hand.
Your bowls color my shelves; I touch them daily.
Sound fills their bodies with memory.
The lighter’s click invokes your name.
And the stepping stones to nowhere, your current address.
If the moon could breathe would its breath flavor our nights?
I picture a separate one above your clouded island.
The dissipating blue in filtered light.
Above the coral. Above the waves and ocean floor far below.
Above the space your ashes should share.
Where the boats rise and fall, like chests, like the waning years.
Like a tide carrying me towards yesterday’s reef.
Or the black-tailed gull spinning in the updraft.
“As Blue Fades” first appeared in Underfoot in October 2017.
I’m delighted and honored that my poem “My Mother’s Ghost Scrubs the Floor at 2 a.m.” has been nominated for a Pushcart Prize by The Indianapolis Review.
Many thanks to editor Natalie Solmer for accepting this piece.
Click on the link to read the poem or listen to a recording of it.
My poem “Nothing More Than Everything” is live in Issue 1 of The Raven Review. I am grateful to editor-in-chief Rachel Strickland for taking this piece.
In the Fifth Chamber Lies the Hour’s End
To fairly allocate irrigation resources, the Persians measured time with water,
sinking a bowl in a larger vessel and tallying the count with pebbles.
And what is time but counting, determining the number of units within a set?
The sum of beats between silences and their diminishing echoes?
Its symbol in the West grew from fig and ivy leaves, while early medical
illustrations depicted pine cone-shaped organs.
In most reptilians, the aorta receives only oxygenated blood.
Qanats pump by gravity. The hagfish’s second resides in its tail.
Recognize the empty as full. Squeezed shut, we open.
Contraction and flow, ejection, inflow, relaxation.
Emotion as electrical impulse. Murmuring valves. The color red.
The fifth chamber remains silent and undetected.
The primitive fish’s chambers are arranged sequentially, but in an S-shape.
Ancients believed arteries transported air through the body.
The Buddhist figure, too, originated in leaves, symbolizing not love
but enlightenment. The ache of failure confounds us.
“In the Fifth Chamber Lies the Hour’s End” was first posted here in May 2016.

Letter to a Ghost
Had I not dreamed your death, I would have praised this day.
Your name rests in a wooden box on a desk
in a room far away and twice as old as we were then.
My penance in this phase: to continue.
I gather words close and refrain from admissions.
The clock on the wall seldom chimes,
like one whose vows circumvent convenience, or
a shade allowing the barest sliver of light
through the window. That tock preceding
a long silence. Snow blanketing the mounded earth.
Your scent never lingers past sleep, where you remain.
At last I no longer covet those sheets you’ve shared.
Your name rests in a box. I gather words and refrain.

“Letter to a Ghost” last appeared herein 2017.
I’m delighted that my poem “Inevitable River” is live at Twist in Time Magazine. Many thanks to editors Renee, Adrienne and Tianna for accepting this piece.
A Cheese Omelet at Midnight
You can’t ever leave without saying something,
no matter how insipid. That sweater looks good
on you. It’s supposed to rain tomorrow. I’m sorry
I burned the omelet. Nasdaq has plunged 3%
since last week. And I, in return, can’t let you go without
replying in equal measure. It matches your eyes. I love
to smell rain in August. That cheddar was delicious.
Maybe I’ll start a savings account. Next month.
So I wash dishes when you’re gone, wipe down the
counters, pour salt into the shaker, grab a book, join my
cat in bed. This tune’s been overplayed, the grooves’re
worn down. Maybe next time I’ll say what I mean,
tell you what I want: It would look better in a heap
on the floor. How about a shower here, tonight? Kiss
me and I’ll never think of it again. I don’t give a rat’s
ass about the stock exchange. Step away from that door!
I’ll make your lunch, butter your 7-grain toast, assemble
your IKEA furniture, balance your books, even dye
my hair pink, tattoo a pig on my thigh and drink light beer
in your honor, if you would agree to say what’s on your
mind. On second thought, don’t. Tell me, instead,
what I want to hear, but make it heart-felt. Truthful
and direct. Poached but earnest. Hard-boiled but tender.
I’ll cook your eggs. Invest in me. You’ll earn interest.
* * *
This originally appeared in August 2015, as the 25th offering in the Tupelo Press 30-30 fund raiser. Thank you, Pleasant Street, for sponsoring this.
I’m delighted that my poem “My Mother’s Ghost Scrubs the Floor at 2 a.m.” has been published in a special double issue of The Indianapolis Review featuring the work of Indianapolis based writers and artists. There’s also a recording.
So it’s official: I am now an Indiana poet! Many thanks to editor Natalie Solmer for accepting this piece.