Staircase at Fifteen

staircase

Staircase at Fifteen

Ascending, her centrifugal
influence captures me

and I follow,
breathless,
witless, wordless,

despite all longing
and shared

discretions, in spite
of the thundering
pulse
and the incessant
demand to act
or run.

She pauses, looks
down, sees
nothing.

Suddenly freed,
spinning off
and slowing down,
shrinking,

far below, on equal
footing but so
apart,

never to meet
in truth, unable
to define direction or

motive, I remain
fixed as she moves
higher, far away, close

but up,
always up.

planetarium

Flowers

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Flowers

How they share our
desires, shape
our days.

Passion to hope,
fingertips to
lips. Some bud

easily, others
struggle. A little
water, light, a kind

voice. Sometimes so
little achieves
so much. Yesterday’s

sunflower droops on
the sill. Today’s promise
arrives with rain.

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“Flowers” last appeared on the blog in July 2017.

Nine Variations of a Cloud

night window

Nine Variations of a Cloud

1
Looking up, I renounce pity and the sadness of wind.

2
Only lust pulls and shapes more, diminishing your integrity.

3
It slips through whenever I try to grab it.

4
Every phrase is a window glowing at night, surrendered to its frame.

5
Water in another form is still water.

6
In whose ruins must you survive?

7
Another shape, another moment desperately spent.

8
And still you thrive in diminishment.

9
Bearing nothing, it conceals.

* * *

“Nine Variations of a Cloud” first appeared in Kindle Magazine in December 2015, and was also included in Gossamer: An Anthology of Contemporary World Poetry.

windmill

End of the Road

photo

End of the Road (2002)

Neither expected nor sought, truth arrives.
One phrase, a minute turn of the

wrist, and the beginning reverses itself, becomes
vessel versus point, illuminating

the reach: one sign, two paths. The agave.
How far we’ve come to affect this place.

Last season the flowers were gray and we knew nothing.
Even the stones quivered with laughter.

And then it rained. And the creeks rose, and the bedrock
appeared as if to say your efforts lack

substance. Look underfoot. There lies the truth.
Neither expected nor sought, it arrives.

“End of the Road” last appeared here in April 2017.

eotr

Untitled from the 80s

Another untitled poem from the 80s…

wood and water
the wave of
fragrance so perfect

we seek to
obtain it as
if we could

be windows open
to a light
the gentlest cloud

would obscure still
spreading like one’s
final exhalation which

travels only to
disperse and become
at last another’s

This first appeared here in June 2017.

Poem Up at Vita Brevis

goldengate

My poem, “Bone Music,” which originally appeared in Gossamer: An Anthology of Contemporary World Poetry, published by Kindle Magazine in Kolkata, India, has been reprinted on Vita Brevis.

I am grateful to editor Brian Geiger for offering a second home to this poem.

Echo Charm

Echo Charm

Right on left, or returned

what circles back, unbroken
yet opened?

Your mouth centers me.

Diminished, I rise, listening.

Grass rubbing against grass.
The lizard’s scarlet throat, swelling.

Not refusal, but denial.

Eyes the color of blood.

You practice your words carefully,
repeating each special phrase.

Blood the color of sky.

Sky the color of eyes.

And always the warm shade.

Thunderstorm Below the Mountain

image

Thunderstorm Below the Mountain
(after Hokusai)

Lacking humility, I take without thinking.
How far we’ve come, to look below for
lightning, the valleys shaken
with thunder, answers

like pebbles flung outward,
each to its own arc, separate
yet of one source, shaded into the question.

Is it for the scarcity of reach,
the reverse view through the bamboo rings
well out of sight, that

breath in the wave’s tuck or
smoke mingling with the clouds
and figures collecting salt,

that I edge myself closer, again,
to this place? To be nothing
presumes presence in absence.
Lacking humility, I accept without thinking.

image

“Thunderstorm Below the Mountain” first appeared here in March 2016.

Hummingbird (4)

hummer

Hummingbird (4)

What overwhelms is the fate
of our breath
moving from one mouth

to the other, a form of
denial flickering by

like the hummingbird,
impossible in flight
but moving despite our logic.
The air

claims no intention. It waits,
and waiting, gives itself to us.

The gift we accept is of ourselves.

hummer2

“Hummingbird (4)” was written in the 80s, and first appeared here in July 2015.

Katharsis

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KATHARSIS

The questions, as always: which rocks to ignore, who will
place them, and how to defy the laws of mathematics.

Note: you will create two separate walls to build one.
You will measure length and depth. You will weigh consequence.

Dig a shallow trench, and set your first two foundation stones
at a slight angle, high points on the outside, low ends meeting

in the middle. Count your failures and multiply them by 100.
Let gravity share the burden, then discard every one. Take

care in selecting your stones. Scorpions lurk in the dark,
underneath. Wear heavy gloves. Use leverage. Seek balance.

Avoid the smooth and rounded, as they too readily relinquish
their footing. Select hard-angled, rough pieces. Accept

faults, and work with them. Stack carefully — the two walls
should lean inward, touching, each bearing the other’s

weight. Work alone, but think to the future, with strength in
mind. Be deliberate. One stone, followed by another. Repeat.

pen

“Katharsis” was drafted during the August 2015 Tupelo Press 30/30 Project. Many thanks to Plain Jane who sponsored and provided the title.