Ghazal of the Bullwhip

 

Ghazal of the Bullwhip

Who hears braided tongues lashing the glare still?
The language of pain writhing through white air, still.

Or herding cattle you pop and crack above the horizon,
pastoral and flowing. But sharp, a sonic nightmare, still.

You ask how love blossoms through decades and more.
That look, a caress, the perfect words – all quite rare, still.

Oh to be a larks head knot, strengthening when used.
Delicious hitch, unmoved water, tight square, still.

I fall, you fall. We fall together in pleated silence.
The inevitable loop of the captive’s bright snare, still.

No gods today, but voices trickling through my skull:
Bob, Bob, they say. Not again. Even you should care. Still!

 

* * *

In response to a comment, Daniel Schnee dared/challenged me to write a poem about a bullwhip. To make it interesting I decided to combine his theme with my latest enthusiasm, the ghazal form.

 

This first appeared on the blog in September 2017.

 

Chilled Soba

Chilled Soba

I am not
philosophical
today,

but hunger
concerns me.
Oh, not

real hunger
but a desire
to consume.

Afternoon
chews morning.
Evening

swallows afternoon.
Morning digests
night. And I,

slurping chilled
soba with
pickled ginger

and scallion,
wonder which verb
my days will choose.

 

 

“Chilled Soba,” first appeared in Kikwetu: A Journal of East African Literature in November 2018. I am grateful to the editors for accepting my poem.

 

 

The Theory and Practice of Rebellion

arrows

 

The Theory and Practice of Rebellion

Such small lives we’ve led,
diffident, quiet, until
provoked.

Remove our words,
we become steel
and sharp stone,
fletched softwood
splitting the air,
string reverberating,
singing resist,
resist
.

Fear not
who we are now.

Consider tomorrow.

 

 

“The Theory and Practice of Rebellion,” first appeared in Outcast Poetry, and was reprinted on Vox Populi. Many thanks to editor Sean Lynch for originally taking this piece, and for Michael Simms for reprinting this and other pieces. I am truly grateful for his support.

Poem Up at Boats against the Current

Boats

My poem “True Name” is up at boats against the current. I am grateful to editor-in-chief McKenna Themm for taking this piece.

No One Knows

 

No One Knows

There, the dream of flying
cars, and the next,

tumbling through soft
glass, inconsiderate and

hopeful as a child
on his birthday,

hands outstretched, waiting.
Unsmiling. You might ask

where this story turns,
whether the glass reconstitutes

or the car crashes,
reminders of a childhood

reconsidered and the simplest
truth, which is no one knows.

 

“No One Knows” was first published in The Pangolin Review in March 2018.

 

Wasp

wasp

Wasp

Outward, the quest for
space and the wings’

hunger to unfold and
shed this home of dark
flesh and encompassing desire.

And each thing remembered, the broken
sheath, the flowering desert’s return,

reflects the notion of being, of intent
in action and its corollary,

the gift of living through death.

* * *

“Wasp” last appeared here in November 2018.

flowers-in-the-desert

Cedar Grove (after Wang Wei)

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Cedar Grove (after Wang Wei)

I sit alone among the cedars,
play my guitar and hum.
In this dark forest
no eye spies me but the moon’s.

My take on Wang Wei’s “Bamboo Grove,” from this transliteration copied somewhere along the way:

alone sit dark bamboo among
strum lute again long whistle
deep forest man not know
bright moon come mutual shine

IMG_1533

“Cedar Grove” made its first appearance here in March 2014. I adapted it to fit my circumstances…

You might find the Wikipedia entry on Wang Wei of interest.

Apricot Wood (with recording)

clouds

 

 

Apricot Wood

I built a frame of apricot
wood. This was for you. The clouds float
through it even as I sleep. You wrote
once of wild herbs gathered and brought
to a lovely girl, an offering not
of passion but of some remote
desire to hear a word from the throat
of the Lord Within Clouds. I thought
of this as I chiseled the wood.
Last night it rained. I listened to
it from my bed by the open
window, hoping that the clouds would
not leave. This morning two birds flew
by. It is raining again.

 

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Originally penned in the 1980s, “Apricot Wood,” is included in my 2015 chapbook, If Your Matter Could Reform. It was first published in 1986, in SPSM&H, a publication devoted to sonnets, and was featured on Autumn Sky Poetry Daily in March 2015. It’s interesting to look at my writing from this period. Some pieces seem to have been written by a stranger, long ago and far, far away. This one somehow seems closer. 

 

 

Self-Portrait with Bruise

deepfriedbutter

Self-Portrait with Bruise

Some damages announce, others conceal.
How else may we continue

despite our best
inattentions? And which treasure
do we truly hold

closer, the blood orange
or the blade
that parts its segments? At

thirty I would have chosen
one. At forty, the other. Now,
options spread like branches among the cedars.

Ruptured vessels reveal our lapses.

 

***

“Self-Portrait with Bruise” first appeared in Shadowtrain in August 2015.

orange

Patience

  

Patience

How time collapses
even the longest
held dream – that

trip to Italy
or the stilted
studio to the

barn’s rear, or
even the first
book and its

publication to early
acclaim by age
forty, fifty, sixty…

 

“Patience” first appeared here in October 2018.