Heroes

splash

 

Heroes

And the rain, again, takes up our day,
folds it into threes, and watches
as the world wraps up its gift,
first at the edges, then centered,
with more confidence and force
than justified. Who will forget
the hollow horse and its stifled
coughs, the stench of men too
long unbathed and drenched
in fear. Or the small girl running
naked, arms outstretched, skin
peeling, her life become a litany
of pain embroidered across
the unfeeling sky. Do not thank me
for your freedom, the mortgage
and its tax breaks, your designer
shoes. We didn’t bleed for you.

 

“Heroes” first appeared in Blue Fifth Review. Many thanks to editor Sam Rasnake for accepting this piece.

 

Saltwater

 

Saltwater

What if you close your eyes
and your throat relinquishes

the morning’s bright
fingers, freed from bruises.

Suppose that particular night
never happened, the way

a wave crashing ashore
empties itself and trickles

back in separate communities,
mingling yet aloof, a

diminishing cortege. What
is the question? Take this

spoon. Fill it with saltwater.
Upend it into the pail. Observe.

 

“Saltwater” was first published in Nine Muses Poetry in May 2018.

 

Sometimes Love is a Dry Gutter

 

Sometimes Love is a Dry Gutter 

Or a restless leaf, a footprint.

Is fault on a blameless day,
scrawled on a washed-out sky.

My friend’s music orbits his home,
worms through the cracks
in the bluest lines, ever new

and permanent, staining even his hope
long after the lights stutter away.
And the rain’s attenuated sorrows?

They’re coming, he says. Like goats
through a fence. Like lava. Like tomorrow.

 

* * *

“Sometimes Love is a Dry Gutter” was first featured at Vox Populi in January 2017. I’m grateful to editor Michael Sims for supporting my work.

 

 

 

Flowers

IMG_5893

 

Flowers

How they share our
desires, shape
our days.

Passion to hope,
fingertips to
lips. Some bud

easily, others
struggle. A little
water, light, a kind

voice. Sometimes so
little achieves
so much. Yesterday’s

sunflower droops on
the sill. Today’s promise
arrives with rain.

 

file4121261057835

 

 

Tarantula

file000990621742

 

Tarantula

The patience of stone, whose surface belies calm.
Neither warm nor cold, but unfeeling.

It digresses and turns inward, a vessel reversed
in course, in body, in function, the

outward notion separate but inclusive,
darkness expanding, the moist

earth crumbling yet holding its form:
acceptance of fate become

another’s mouth,
the means to closure and affirmation

driven not by lust nor fear
but through involuntary will.

Neither warm nor cold, but unfeeling.
The patience of stone.

 

file5091271408303

“Tarantula” first appeared here in February 2015.

 

Theology of Carrots

 

Theology of Carrots

We hide our best
underground

plumed by ornamental
headpieces

allowing the wisdom
of taproots

to prosper
in darkness.

 

“Theology of Carrots” first appeared here in September 2017.

 

Letter from Kansas

file7201265025021

 

I was a military brat. My return to the U.S. after attending high school in Italy was, well, interesting. Junction City, Kansas was definitely not bella Napoli. This poem came from that experience, albeit a few years after, and was published in the mid-80s in the Allegheny Review, a national journal of undergraduate creative writing, and was republished by Silver Birch Press in 2017. The kid who wrote it still exists. Somewhere.

 

Letter from Kansas

Caro amico,
Driving the stretch to Junction City,
I look for familiar faces in the cars
we pass, but see only strange grasses
gliding by. Three weeks ago
I slept on a stone-littered hilltop
overlooking the Bay of Naples.
Now the prairie laps at our front door.
A mile from the house two corralled bison
munch dull hay thrown daily
from a truck’s flat bed, and past that
the Discount Center’s sign
spells America. What I wouldn’t give
for a deep draught of Pozzuoli’s
summer stench and the strong
yellow wine that Michele’s father
makes. We mixed it with the gardener’s
red, creating our own bouquet,
remember? And here they say
I’m too young to buy beer and wine.
Without them the food is flavorless,
like the single language spoken.
I understand it all,
and miss the difficulty. Maybe Texas
will be better. Ci vediamo. Bob

 

 

This was one of my first posts on the blog, and as you might expect, very few people saw it. I wrote the poem in the summer of 1983, when I was new to poetry, still tentative, exploring. A few weeks later I attempted the sonnet form, and, well, everything changed. Everything.

 

Feeling Squeezed at the Grocery Store I Conclude that the Propensity to Ignore Pain is Not Necessarily Virtuous, but Continue Shopping and Gather the Ingredients for Ham Fried Rice because That’s What I Cook When My Wife is Out-of-Town and I’m Not in the Mood for Italian, and Dammit I’m Not Ill, Merely a Little Inconvenienced, and Hey, in the 70’s I Played Football in Texas and When the Going Gets Tough…

emergency

 

Feeling Squeezed at the Grocery Store I Conclude that the Propensity to Ignore Pain is Not Necessarily Virtuous, but Continue Shopping and Gather the Ingredients for Ham Fried Rice because That’s What I Cook When My Wife is Out-of-Town and I’m Not in the Mood for Italian, and Dammit I’m Not Ill, Merely a Little Inconvenienced, and Hey, in the 70’s I Played Football in Texas, and When the Going Gets Tough…

I answer work email in the checkout line. Drive home, take two aspirin.
Place perishables in refrigerator.  Consider collapsing in bed.  Call wife.
Let in dog.  Drive to ER, park.  Provide phone numbers. Inhale. Exhale.
Repeat. Accept fate and morphine. Ask for lights and sirens, imagine the
seas parting. On the table, consider fissures and cold air, windows and
hagfish. Calculate arm-length, distance and time.  Expect one  insertion,
receive another. Dissonance  in perception, in reality.  Turn head when
asked.  Try reciting Kinnell’s  “The Bear.”  Try again, silently this  time.
Give up.  Attempt “Ozymandias.”  Think of dark highways. Wonder about
the femoral, when and how they’ll remove my jeans. Shiver uncontrollably.

 

football

 

The events in this poem took place seven years ago. A lifetime ago.

 

 

Something Lost, Something Trivial

broom

 

Something Lost, Something Trivial

Another word, another bewildered
moment in transition: the phrase
barely emerges from your mouth
before crumbling back into a half-opened
drawer in the loneliest room of a house
that died seventeen years ago.

I nod as if in understanding, and stoop
to pick up a crushed drinking straw,
the kind with the accordion elbow
that facilitates adjustment.

From a rooftop across the street,
a mockingbird warbles his
early morning medley of unrelated
songs, and you say left oblique,
followed by matches, then
collapse on a bench,
winded. I sit next to you

and we both enjoy the warmth
and birdsong, though I know
this only through the uplifted
corner of your mouth, which
these days is how you indicate
either deep pleasure or

fear. I have to leave soon,
I say, and you grab my wrist
and stare into my eyes.
Broom, you reply. And more
emphatically, Broom!

Though I cannot follow you
directly, knowing both path
and destination, I pick my way
carefully through the years
stacked high like cardboard
banker’s boxes stuffed with
papers and receipts no one
will ever see. I know, I say.
I love you, too. Broom.

 

* * *

“Something Lost, Something Trivial” was published in January 2016 in the first issue of MockingHeart Review. Many thanks to founding editor Clare L. Martin, for her multiple kindnesses.

Poem Published in Slippery Elm

 

Letter to Harper from the Edge of Sixty

Dear Stephanie: Some distances, some lives, can’t be quantified.
Knowing that two-thousand miles separates us offers slim
hope for a quick cup of java at a local cafe, but the gape-mawed
dragons lurking below those map edges are at least discernable,
and their fires have no doubt been doused by the confused oceans
corkscrewing over the rim; I detect steam, but no smoke.
The ruler measures in inches, never minutes, and certainly not in
emotion. Saying I miss you is easy and true, but how do those
words evoke the rocks under the surface? I turn sixty in six
days, and what I wouldn’t give to crumple some of those ancient,
wasted hours and toss them into the burn pile, to watch them rise,
transformed into winged smiles and realized dreams of what never
happened to both of us. We could hold hands and observe the odd
little phoenixes fluttering into the past, where they’d patch damages,
circumvent losses and scour clean those close corners in the lost
rooms where memories go to die. I miss you is shorthand for
the atmosphere is too transparent to conceal my longing, and naps
are a poor substitute for the real thing
. How do we hide what
is evident even to those who don’t know us? I admit failures and
improprieties, and, facing, open-mouthed, what I desire most, hope
to mitigate misbehaving parts and even some misunderstandings.
I am both the man I thought I was and one whose scars remind me
of someone I might have become, if only. The magic eight ball
spins out signs point to yes, no matter the question, so I’ve mastered
the art of cautious phrasing and willful optimism. Two nights ago
we lost ourselves in a dream in Nowhere, Texas, which seems
apt and is hardly a metaphor if past experience indicates anything.
Even GPS couldn’t help us, but frankly I don’t want guidance.
Being lost with you beats the hell out of any other reality, and might
offer us more time together, and I’m already teetering on the losing
side of that equation. I love being your old man, and want nothing
more than to be just that, at noon, on that rickety bench in Nowhere’s
square, guitar in hand, crooning “Wild Thing” and swigging cognac
while ignoring the perplexed onlookers awaiting their court dates.
I’m contemplating these colliding strands of time and cartography,
wishing for a past that never was to ease the burden of this
present. And there’s the future, which bends to no one’s whim and
seems fraught with scaled fire-breathers and sharp-toothed crags.
But we knew that going in, and stepped forward because there is
no other direction. More brave than stupid, ya think? You are
my true north, my everywhen, my night smile and contented belly.
Let’s keep sculpting our day, a piece at a time, chipped here, rounded
there. It’s taking shape, Babe. Love, Bob.

 

 

“Letter to Harper from the Edge of Sixty” was a finalist for Slippery Elm’s 2020 Poetry Prize, and was recently published in the 2020 issue, alongside “Answer” by Stephanie L. Harper, also a finalist. Many thanks to the Slippery Elm Literary Journal’s editorial team, and especially EIC Dave Essinger, whose professionalism and personal kindness place SELJ at the top of the ladder in the world of literary journals. If you have a chance, take a look at SLEJ‘s offerings – they’re a print journal – or consider entering their Deanna Tulley Multimedia Prize, now open for submissions.