Down and Away

 

Down and Away

How soon we lose the scent
of our first love’s

body, that odor of perfume
over sweat and uncertainty

and the overwhelming surge
into what will never again

be new. You shake yourself
back, wondering

if falling stars could choose
to rise again, whether

they would rejoin the firmament
or simply retreat deeper into the

ocean’s black, cooling, sliding
down and away, slipping

free of regret, evading forever
the sun’s long fingers.

 

 

“Down and Away” was first published in August 2019 at Trestle Ties. Many thanks to Juleen Eun Sun Johnson and Aaron Schuman for taking this piece.

 

 

 

 

Reticent as Ever, I Follow the Map (with recording)

 

Reticent as Ever, I Follow the Map

This old bed, knowing our secrets, our love
for the spiders of the world and their guilty

pleasures, wraps its history around us, says
“go easy, my friends,” and leaves us to our

research. I find the scar on your lower
back, that sacred heart of fusion,

trace the line on the map to the freckle
of grace and its inequities, then up to the left

ear, which requires attention. Speech
can only intrude upon my navigations,

yet I can’t refrain from murmuring the words
again, those never-tiring, never-depleting

syllables which always demand repetition,
wave after wave, an ocean of truth,

mingling and dispersing, accepting, giving,
swelling larger and more complex each day.

 

 

 

 

“Reticent as Ever I Follow the Map” was published in July 2019 at OPEN: Journal of Arts & Letters. Thank you, Jeff Streeby, for taking this piece.

 

Night Smoke

DSC_0206


Night Smoke

Incomplete, it rises
only to dissipate

like the griefs we shape,
somehow unnoticed,

beyond reach but felt.
Last night’s moon, the glance.

Forgotten stars, a withheld
kiss, words we never formed.

How difficult to be lost.
So easy to remain unseen.

 



* * *

“Night Smoke” last appeared here in February 2019.

DSC_0094

Your Armpits Smell Like Heaven

glacier

Your Armpits Smell Like Heaven

But your breath could melt a glacier at three
miles, she says, and then we might consider
the dirt under your nails, the way you slur
your sibilants, and how you seldom see

the cracked eggs in a carton, a downed tree
branch in front of you, the ripened blister
of paint in the bedroom, or your sister
lying drunk on the floor in her own pee.

Back to your armpits. Do you realize
we could bottle that aroma and make
a fortune? I inhale it and forgive

your many faults. The odor provokes sighs
and tingles, blushes I could never fake.
Ain’t love grand? Elevate those arms. Let’s live!

 

 

Never in my wildest dreams did I envision writing a poem about armpits. But the August 2015 Tupelo Press 30-30 challenge, and Plain Jane, the title sponsor, provided that opportunity. This first appeared here in April 2016, and was subsequently published in Algebra of Owls. Many thanks to editor Paul Vaughan for taking it.

armpits

With Guitar in Hand

 

With Guitar in Hand

for Stephanie

With guitar in hand I observe the green beetles bumbling about,
the way they careen and crash and flail aimlessly, but to a purpose.

Sometimes I attempt one note, only to strike another, or plucking
three strings simultaneously, focus on the discordant one,

which is, of course, me. How do we live the right song?
Which casual arrangement sends us plummeting to the grass,

hearts racing? I recall thinking “this cannot be,” yet could not,
would not, turn away. I bang out a minor seventh, sing a few

words, adjust my arthritic grip. Yesterday I couldn’t form
the chord shapes I desired. Today the hands float along the

fretboard, unimpeded. I wish you were here. I wish
I could shift time signatures with neurotransmissions,

that we were somewhere else, out of the way, alone
but for birds chirping in the branches by the window.

I wish my flawed tunes could merge with moonlight
and compose pearlescent pieces, and that you would

sing them to me from the threshold of our shared lives. I want
everything, but cherish what we can hold in these wondrous

times. I think of your hair and eyes, how my heart
flutters to the floor and refuses to rise until your smile

unwraps the day’s gift to me, defying Newton’s third law,
offering unheard chords. I listen to your silences, as I do

your words, knowing the value of each. Gazing at your
photo, I speak your name, set down the guitar. Make music.

 

 

“With Guitar in Hand” was originally published in the print anthology Epiphanies and Late Realizations of Love in February 2019.

 

 

Lying in Bed I Think of Breakfast (with recording)

 

 

Lying in Bed, I Think of Breakfast

The moon smiles and I lie here thinking
of the simple breakfasts I would cook for
us: sticky rice with scrambled eggs and
sauteed peppers, or toasted boule with bacon
jam and a side of sliced peaches. And coffee.
Always coffee, black and bitter. But circumstance
dictates other courses, other time zones, and you
wake in your city as I walk in mine, an early
shopper plundering the store’s vegetable
bins, wandering the aisles in search of a
bargain and that special ingredient missing
from my tired, inconsolable days.

 

 

“Lying in Bed I Think of Breakfast” was published in December 2019 by The Big Windows Review. Thanks to editor Thomas Zimmerman for accepting this piece.

 

Shadow (with Recording)

image

 

 

Shadow

walking,
crushing juniper berries
at dusk

the dog shadows me
in his absence

 

* * *

“Shadow” first appeared here in April, 2015. It could be considered a companion piece to “Mother’s Day,” which is included in the July 2016 edition of The Lake.

image

Music: “Thunderbird” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

 

End of the Road, CR 245

 

End of the Road, CR 245 

How the day’s fragments fade. One cloud,
a leaf. The horned toad scuttling across
the path. I am wondering what lies
beneath the flimsy topsoil, whether grubs
or beetles linger in their perpetual nights.
If I overturn that rock, will a scorpion’s tail
rise? Thunder strums my roof as I look
through the streaked window. Nothing
changes. You wanted that separate
peace, the one kept boxed in the drawer
for safekeeping. Foolish for having once
believed, for remaining in disbelief,
I step out into the rain, lift the rock.

 

 

“End of the Road, CR 245” was published in fall 2019 in the print anthology Through Layered Limestone: A Texas Hill Country Anthology of Place. I am grateful to editors d. ellis phelps, Lucy Griffith, Darlene Logan, Donna Peacock and Mobi Warren for taking this and three other pieces.

 

 

 

Countdown #2: When Shadows Hide

  

My last five posts of 2020 are reruns of five of the most viewed posts on this site during the year.

 

When Shadows Hide

I breathe when you breathe,
and watching me,
you capture each lost molecule.

This book blinks whenever you turn the page.
I see you between the words, between the white threads.

You are the adored chapter, the one I read in bed before
sleep, and after I wake, before the first wren announces
dawn, then in the afternoon’s highest point, when shadows hide,
and later, as they emerge to stroke your bare shoulder.

What’s on the other side, you ask. What do you hear?

Your breath, I say. Your name.

 

* * *

“When Shadows Hide” was first published in the print anthology Epiphanies and Late Realizations of Love in February 2019.

 

Countdown #3: A Cheese Omelet at Midnight

cracking eggs

 

My last five posts of 2020 are reruns of five of the most viewed posts on this site during the year.

 

A Cheese Omelet at Midnight

You can’t ever leave without saying something,
no matter how insipid. That sweater looks good
on you. It’s supposed to rain tomorrow. I’m sorry
I burned the omelet. Nasdaq has plunged 3% 

since last week. And I, in return, can’t let you go without
replying in equal measure. It matches your eyes. I love
to smell rain in August. That cheddar was delicious.
Maybe I’ll start a savings account. Next month.

So I wash dishes when you’re gone, wipe down the
counters, pour salt into the shaker, grab a book, join my
cat in bed. This tune’s been overplayed, the grooves’re
worn down. Maybe next time I’ll say what I mean,

tell you what I want: It would look better in a heap
on the floor. How about a shower here, tonight? Kiss
me and I’ll never think of it again. I don’t give a rat’s
ass about the stock exchange. Step away from that door!

I’ll make your lunch, butter your 7-grain toast, assemble
your IKEA furniture, balance your books, even dye
my hair pink, tattoo a pig on my thigh and drink light beer
in your honor, if you would agree to say what’s on your

mind. On second thought, don’t. Tell me, instead,
what I want to hear, but make it heart-felt. Truthful
and direct. Poached but earnest. Hard-boiled but tender.
I’ll cook your eggs. Invest in me. You’ll earn interest.

 

* * *

 

This originally appeared in August 2015, as the 25th offering in the Tupelo Press 30-30 fund raiser. Thank you, Pleasant Street, for sponsoring this.

 

Asparagus omelet MGD©