Uccello

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Uccello

the wind is what
the stillness
desires to say
each instant
collapsing into itself
like a bud
returning
to the seed

listen
the birds in my tree
are silent
as echoes
before their brief
lives are
silent

something thrashes
in the leaves
the feather
spiraling
slowly
is not only what
it is

as the candle
is more
than flame
or a moment

curling
to darkness

the question
is of clarity

I built a frame
but placed
nothing in it

the wind
blows through
quietly as if
between silences
there exists
only silence or

light
the familiar embrace

unfolding

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Originally published in 1987 in a short-lived publication called The Balcones Review, this is the opening of a longer work. When I last looked out my window at that same tree, I heard the birds, no longer silent.

Tree

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Tree

where you go
the wind follows
as if no

choice remains but
that of sun
and oak an

attraction such that
limbs curve to
light a certainty

which cautions us
to intrude lest
we lose all

sight and sense
of beauty you
are this tree

A Walk Through the Live Oaks

Written in the 80s, “Tree” first appeared here in December 2014.

Flame

 

Flame 

Drifting, she passes through the frame.

Reshapes borders, edges.

The way smoke scribes a letter in the sky with
gases and particulates. Intractable. Impermanent.

But not like a risen corpse
yet to accept its body’s stilling, or
the flooded creek’s waters taking
a house and the family within. Some things

are explainable. This morning you drained
the sink, and thunder set off a neighbor’s alarm.

From every moment, a second emerges.

Picture a man lighting a candle where a home once stood.

* * *

“Flame” is included in my chapbook, From Every Moment a Second, available for order via Amazon.com and Finishing Line Press.

This Turning

turning

This Turning

what one says
depends not on
words the wind

begins it does
not end but
lends itself to

an end this
turning may be
an answer the

sound of intent
so concealed a
word displayed is

only a word
not an end
nor the beginning

magnets

Another oldie from the eighties. It seems that even my poetry was thinner then.

Magic (with recording)

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Magic 

You give me nothing to hold, and for this
are blessed. Devotion

is a mirror and breath, one
solid and illusory, the other
needed yet expelled, taken, dispersed.
Which begs another question
not relying on tricks.

“Who traces names on the sheets?” you ask.

I roll up my sleeves and say “Words
conceal what the glass cannot.”

Source becomes deed, becomes habit.
In your hand a stone, a dove, the unbroken ring.

* * *

“Magic” is included in my chapbook, From Every Moment a Second, and was first published in Taos Journal of International Poetry and Art.

Chill (Cento)

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Chill (Cento) 

I shiver a little, with the evening,
and you print a shadow like a thin twig.

Wait for my death, then hear me again.
He believes a pomegranate is a thesaurus,

the thundercloud, tomorrow’s puddle. Is
this hunger unlike that of others?

When a drowning man calls out,
his voice follows him downstream.

Why am I grown so cold?

A cento is composed of lines borrowed from other poets. “Chill” owes its existence to: James Wright, H.D., Ingeborg Bachmann, Eduardo C. Corral, Blaga Dimitrova, Forrest Gander, Yusuf Komunyakaa, and Adelaide Crapsey.

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“Chill” first appeared on the blog in March, 2016, and was subsequently published in Long Exposure in October 2016.

Poem Up at Amethyst Review

My poem “Where the Word Begins” is up at Amethyst Review. Thank you, Sarah Law, for accepting this poem.

Wet Grass, Weeds

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Wet Grass, Weeds

A lone raven
circling the neighbor’s oak,

an oddity in this neighborhood,

lending mystery to the afternoon,
a gateway through dandelion

fluff and the blue seeping through clouds.
A car rumbles by,
stereo hammering the air,

warnings everywhere for the wary.

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“Wet Grass, Weeds” first appeared here in May 2016.

Self-Portrait with Mandolin

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Self-Portrait with Mandolin

Being
the afterthought

of wood and
steel, I accept

the phrases
allowed me.

Limitations
frame our days;

working within,
we grow.

Almond to tree,
sound in time.

Chords
by implication.

I root among
the falling

leaves,
gathering

their tunes.
When I cannot

see, my hands
find the way.

mando

“Scarecrow Believes” up at Vox Populi

My poem “Scarecrow Believes” is up at Vox Populi. Many thanks to editor Michael Simms for selecting this piece. I am grateful, as always, for Michael’s support.