Bowls, Emptied

bowls

Bowls, Emptied

I picture them always separate, unfilled, never nested among the others.

In descending order: yellow, green, red. The missing blue.

Concave, hollow, hemispherical, freed of conscience.

Other images – the skies, denser with age.

You stirring with a wooden spoon, cigarette smoldering nearby.

Or the itinerant smell of new sod and wet soil.

My knee aches whenever I traverse stairs or turn quickly.

Which holds more grief, these vessels or memory’s lapse?

Inverted, their capacity remains constant as the heavens, dark or light.

The paling dome, a memory of freshly pulled onion.

Squatting, you would patiently pluck weeds.

I bite my tongue and kneel to place the flowers.

Near this stone, where the crickets chirr and dew worms burrow.

By this mound and these blades of near-silent grass.

Where I accept this moment’s offering. And you do not.

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Two Poems in Kindle Magazine (Kolkata)

egg

The link to my two poems appearing in Kindle Magazine was damaged and readers were unable to access them. Kindle Magazine has kindly corrected the link to make them available again. These poems, with two others, also appear in the print collection Gossamer: An Anthology of World Poetry, published by Kindle Magazine this past December.

cloud

A Cheese Omelet at Midnight

cracking eggs

A Cheese Omelet at Midnight

You can’t ever leave without saying something,
no matter how insipid. That sweater looks good
on you. It’s supposed to rain tomorrow. I’m sorry
I burned the omelet. Nasdaq has plunged 3% 

since last week. And I, in return, can’t let you go without
replying in equal measure. It matches your eyes. I love
to smell rain in August. That cheddar was delicious.
Maybe I’ll start a savings account. Next month.

So I wash dishes when you’re gone, wipe down the
counters, pour salt into the shaker, grab a book, join my
cat in bed. This tune’s been overplayed, the grooves’re
worn down. Maybe next time I’ll say what I mean,

tell you what I want: It would look better in a heap
on the floor. How about a shower here, tonight? Kiss
me and I’ll never think of it again. I don’t give a rat’s
ass about the stock exchange. Step away from that door!

I’ll make your lunch, butter your 7-grain toast, assemble
your IKEA furniture, balance your books, even dye
my hair pink, tattoo a pig on my thigh and drink light beer
in your honor, if you would agree to say what’s on your

mind. On second thought, don’t. Tell me, instead,
what I want to hear, but make it heart-felt. Truthful
and direct. Poached but earnest. Hard-boiled but tender.
I’ll cook your eggs. Invest in me. You’ll earn interest.

This originally appeared in August, as the 25th offering in the Tupelo Press 30-30 fund raiser. Sponsored by Pleasant Street, a recording may be found at her blog, In My Parlour.

Asparagus omelet MGD©

 

 

Nights at the Magdalene Laundry

cemetery

Nights at the Magdalene Laundry

Waiting, as if it could
be foreseen, as if influence and love
and truth could ease into the conversation,

she pours water into the night’s
mouth. A little longer, says the voice,
and the wind bends the grass,

reaching, without apprehension, a conclusion.

Which is not to claim verity, nor the patience of stone
crumbling along the ledge.

She leaves when nothing remains.

washtub

Year’s End

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Year’s End

If I lose myself in breathing,
will the air forgive my forgetfulness?

This oak, too, will stand long after
the last train exits the tunnel.

I worry that my friend may never
clamber past his lowest ambition.

Different and unabated, our words
now stumble over themselves.

Every night forms a morning somewhere:
each year, combined in our shared darkness.

night

Sheng-yu’s Lament (after Mei Yao-ch’en)

DSC_1243

Sheng-yu’s Lament (after Mei Yao-ch’en)

First heaven took my wife,
and now, my son.
These eyes will never dry
and my heart slowly turns to ash.
Rain seeps far into the earth
like a pearl dropped into the sea.
Swim deep and you’ll see the pearl,
dig in the earth and you’ll find water.
But when people return to the source,
we know they’re gone forever.
I touch my empty chest and ask, who
is that withered ghost in the mirror?

The transliteration on Chinese-poems.com reads:

Heaven already take my wife
Again again take my son
Two eyes although not dry
(Disc) heart will want die
Rain fall enter earth in
Pearl sink enter sea deep
Enter sea can seek pearl
Dig earth can see water
Only person return source below
Through the ages know self (yes)
Touch breast now ask who
Emaciated mirror in ghost
SAM_0841

Originally posted in December, 2014.

After Before

mantis

After Before

A return to that
time when silence

reigned. The neighbor’s
guinea fowl have long

departed, but three cedars
drop needles in the circle

even as reluctant growth
pushes out from the oaks’

limbs. Nothing circles
below the clouds, no

roosters crow. Feeders
hang still and empty.

The wrens remain
cloistered. You read

these events as separate
birdless chapters, all

hushed in the dappled
air, passages carried

yet confined by nearly
soundless threads

suspended from the
persimmon tree. You admit

a status as sentient
protein, one meal among

many, while you rest
and absorb

the soft ticking
of eighteen eager

juvenile mantises
on the porch screen.

feeder

Directive to the Circumspect Texan

image

Directive to the Circumspect Texan

When the vowel trips through the consonant and knots
the tongue, remember this: artifice. A making. In one

hand, a knife. On the table, cured flesh and fermented
products. Imagine uncertain lighting, laughter, a narrow

opening and the uphill walk three days into the parametric
world of occlusion. Tell no untruths. Mention refrigerators

and your proficiency with duck. Admit failure and order
a second pilz. Listen. Discuss heat and issues of space,

personnel logistics and the pleasure of July departures.
Cite advertising and Ashbery. Savor what is rightly not

yours. Embrace inadequacy. Forego dessert. Express
true gratitude. Say y’all. Shake hands. Find the door.

image

Painting

spiral

Painting

But completion
arrives in the most

limited sense,
outlines enriched and

filled with lush
darkness, the red of

an accumulated passion
for texture, for subtlety in

shade, the tactile being
one facet shared with

odor and the black hand
on the wall, the

staircase spiraling
upward, resultant desire,

body of lust, this wall, our
doing, the gathered home.

black hand

Nocturne with a Line after Kees

country

Nocturne with a Line after Kees

I close my eyes and see nothing but rain.
And after, take pity

for what turns beyond sight: the wretched
flower, a hiss from the road. Last night the wind
stole sleep from my body,

leaving me alone, wordless, listening
for her next breath. An alchemist,

I transmute the memories of old wounds laid open.

*****

This first appeared in Ijagun Poetry Journal, in December 2013.

Antique pharmacy