My poems “Self-Portrait as Never” and “The Real Question” are live at After the Pause. I’m grateful to editor Michael Prihoda for accepting these pieces.
My poems “Self-Portrait as Never” and “The Real Question” are live at After the Pause. I’m grateful to editor Michael Prihoda for accepting these pieces.
My poem “Clandestine” is live in Issue 6 of Kissing Dynamite. I am grateful to the KD team for taking this piece.

Helsinki
An editor said never start a poem at a window,
so instead I’m looking at the door,
which is made of glass. We are to avoid rain,
too, but it streaks the pane in such delicious
patterns that I can’t help but pretend to be someone else
in a foreign city, perhaps Helsinki, sipping black coffee
with a mysterious woman younger than my daughter
(who also does not exist), whose interests
in me are purely literary, although she straightens
my collar with lingering, scented fingers. Garden
memories and birds must never populate our lines,
but corpses are fine, as are tube tops and bananas
and any combination thereof. I finish my coffee
and wander alone through cobblestone streets,
stepping over clichés when possible, kicking them
aside when my hip joint argues, or simply accepting
their useful limitations when nothing else works.
Unknown and lacking credentials, I shrug, go on
past the closed doors behind which unseen bodies
perform the most bizarre and sensual solo dances,
or not, and shadows cook sausages over fire
and the grease spattering onto the tiled counters
issues a fragrance that awakens neighborhood dogs
and maybe a dozing stall-keeper at the market
where cloudberries are sometimes found.
I know little of Finland, and less of myself,
and then there’s poetry, which remains a blank
frame, a frosted pane I’ll never truly unlatch.
* * *
My poem “Helsinki” was first published at Panoply. It was inspired in part by a Facebook thread on which editors commented on what caused them to instantly reject poems. One said beginning a poem at a window was cause for rejection. Hence the first line.
Dead Rose at 5 Points Local
(A collaborative poem written with Stephanie L. Harper)
Having plucked the disheveled
petals from the core,
she waits
for the dead to speak
of last week’s sweetness—
of damp upholstery
and worn-out shoes,
of locked chests
and the faint honey
of unrealized hope.
Magnetized,
I twist the stem;
I quarter the seeds and
blemish the plate.
Which north rings true?
Which faded-red
bridge reveals the lost
inner compass?
Our ice cubes clink
no answers, as the essences
of hibiscus, lavender,
and mint slip over my tongue,
concealing the cool
tang of her demurring
ghosts…
But when she says whisper,
touching her lips
with an index finger,
I hear distant trains
baying like wolves,
and smell the char of nights
trailing the undiminished
river, its waters flowing
in every possible
direction, away.
* * *
“Dead Rose at 5 Points Local” first appeared in Formidable Woman Sanctuary in November 2018. For the story behind the poem, click on the link.
My poem “The Most Intimate” is live at Poetry Breakfast. Thank you, Ann Kestner, for taking this piece.
Driving to Work, I Pass Myself
Some days the drive takes twenty minutes,
on others, thirty or more. Seems I might pass
myself on the right morning if time flexed its
biceps or looped me into a dimensional shift
thick with donuts and tires and lost minutes.
How odd it would be to wave and say “see ya,”
knowing that tendered frustration grows in
distance, until it takes over the entire mirror.
Looking back, I see my frown diminishing
to a lone point in that shrinking van at the
hill’s crest. Will we meet in the parking
garage? Should I wait? You know the rules.
This first appeared on the blog in March 2018.
“My Mother’s Ghost Sits Next to Me at the Hotel Bar” was first published in The Lake in December 2018.
Hours
who remembers can
the blur of
flowers be so
unpleasant if as
Creeley says “imagination
is the wonder
of the real”
what then is
presence obtained from
nothing the mere
transformation of shape
to glory incessant
as the night
raining in through
the long hours
* * * *
A poem from the mid-80s. I don’t recall where the Creeley quote came from.