My poem “Postcard from Pandemic” is up at Vox Populi. I am grateful to editor Michael Simms for his continued support.
I wish you all good health and peace in these troubling times. Take precautions, stay safe!
My poem “Postcard from Pandemic” is up at Vox Populi. I am grateful to editor Michael Simms for his continued support.
I wish you all good health and peace in these troubling times. Take precautions, stay safe!
What Happens Next
Another night with the frost,
she says, and you’ll know
the half-life of cold.
Which is not to say enjoy,
or pity, or pretend.
It is the sheath of God’s
gaze, an unsuspected lump.
The harvested curse.
You grasp what happens next.
“What Happens Next” first appeared here in November 2017.
Forced By This Title to Write a Poem in Third Person About Himself, the Poet Considers the Phenomena of Standing Waves, Dreams Involving Long-Lost Cats (Even If He Has Not Had Such a Dream Himself), And the Amazing Durability of Various Forms of Weakness
Five White cat always made sure no rats gnawed my books.
— Mei Yao-ch’en
His brain is squirming like a toad.
— Jim Morrison
Standing by the water, the poet wonders if,
as in this dream, his dead dog and Five White
might seize the separate ends of a rope and blend
their tugs, matching highs and lows, growls and purrs,
with near stillness, dawn to dusk and back again,
always equal, sharing through death their love
of work and honor. He throws a small branch
and asks the dog’s ghost to fetch, but it remains
at his side, as if reluctant to leave. How to release
what you no longer hold? Shadows disappear in direct
light, but always return at its departure. The
raindrop remains intact through its long plummet.
Words, though unspoken, hang like lofted kites
awaiting a new wind, a separate rhythm,
beyond compassion. He cannot hear it
but joins his dog in singing. The cat yowls along.
This piece first appeared in deLuge in fall 2016, and was drafted during the August 2015 30-30 challenge. Thanks to Jeff Schwaner for providing the title (which I edited for publication).
While Walking My Dog’s Ghost
I spot a baby rabbit
lying still in a clump of grass
no wider than my hand.
It quivers, but I pretend
not to have seen, for fear
that the dog, ghost or not,
will frighten and chase it
into the brush, beyond
its mother’s range,
perhaps to become lost
and thirsty, malnourished,
filthy, desperate, much
like the dog when we
found each other that hot,
dry evening so long ago.
This first appeared here in September 2016.
I’ll Turn But Clouds Appear
You gather and disperse and nothing I do salves my hunger.
Where are you, if not here among the roots of dead flowers
or inches below the window’s opening
in the leaf-filtered light. Or spread across
the ceiling, caught in filaments of expelled
hope. Savoring motion, I look up and address the Dog Stars,
longing to catch your attention. But clouds muffle
my words, and instead I turn
to the fragrance of tomato and garlic and spice
wafting into the night. What could bring you back?
Not love. Not wine. Not solitude, nor the sound of my voice.
I spoon out the sauce, cautiously, and wait.
* * *
“I’ll Turn but Clouds Appear” first appeared in Bindlestiff.
Night Smoke
Incomplete, it rises
only to dissipate
like the griefs we shape,
somehow unnoticed,
beyond reach but felt.
Last night’s moon, the glance.
Forgotten stars, a withheld
kiss, words we never formed.
How difficult to be lost.
So easy to remain unseen.
* * *
“Night Smoke” last appeared here in February 2019.
Your Armpits Smell Like Heaven
But your breath could melt a glacier at three
miles, she says, and then we might consider
the dirt under your nails, the way you slur
your sibilants, and how you seldom see
the cracked eggs in a carton, a downed tree
branch in front of you, the ripened blister
of paint in the bedroom, or your sister
lying drunk on the floor in her own pee.
Back to your armpits. Do you realize
we could bottle that aroma and make
a fortune? I inhale it and forgive
your many faults. The odor provokes sighs
and tingles, blushes I could never fake.
Ain’t love grand? Elevate those arms. Let’s live!
Never in my wildest dreams did I envision writing a poem about armpits. But the August 2015 Tupelo Press 30-30 challenge, and Plain Jane, the title sponsor, provided that opportunity. This first appeared here in April 2016, and was subsequently published in Algebra of Owls. Many thanks to editor Paul Vaughan for taking it.
Before We Knew
All thought of consequence
melted with that first touch
of tongue to skin, no respite
to be found in that heat,
no shade at all. I recall
hitching a ride later with a
German couple who lit up
and passed the joint without
asking, and after their
Cinquecento sputtered away,
I walked down to the bar at the
waterfront for an espresso and
to watch the lights spark along
the bay. A few times a week
I’d see a boat putter in and tie up,
and the one-armed man would
display his catch or a carton
of bartered Lucky Strikes, but
not this night. The moon
weighed heavy on my shoulders
as I trudged home, remembering
the way you’d smiled and said,
from some place I’d never
witnessed before, come here,
now, as if I could have said no and
turned around, as if another urge
could have inserted itself
in that moment, in that life, ever.
* * *
“Before We Knew,” first appeared in Sleet Magazine in August 2018. I am grateful to editor Susan Solomon for taking this poem.
Self-Portrait as Question
Walking hand-in-hand with what,
who presupposes why, and when
huddles with where before skittering
off to its murky corner. Sometimes
I present myself as a shy minute
or a cloud’s effigy streaming across
a scruffy field. Few suspect the truth.
Answers ricochet from the limestone
wall, but no one nabs them. I react
quickly and offer the unknown, the
life I claim, my name, in return.
* * *
“Self-Portrait as Question” was first published in Rue Scribe in September 2018. Many thanks to Eric Luthi and the editors at Rue Scribe for accepting this piece and several others.