Through Layered Limestone: an anthology

A great publication benefitting a worthy cause!

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a Texas Hill Country Anthology of Place

It’s out & it’s wonderful! We had our launch reading this morning in Boerne, Texas on Main Plaza. Eleven contributors, family and friends where in attendance. It was cool and inviting under the tent by the gazebo. I hope you enjoy this little video (on FB) I put together of the performances. Be sure to turn the sound on the FB video on to hear the cool music that goes with the video…

I’m very pleased to have served as managing editor for this fine piece of history. If you’re a Facebook user, please do follow my artist/author page there for info about all that’s happening in my literary/artistic world & follow me here, for sure!

The book is a tribute to the pioneers who settled the Texas Hill Country, many of whom endured arduous journeys by ship across the ocean to Texas…

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Simplify, as in Forget

 

Simplify, as in Forget

To turn off the stove
or close the refrigerator door,

such brazen attempts to win
the aging contest or blur the mirror

of clarity — you won’t say
which to blame or praise

or whether intent is implicit in
action or if I should hold my breath.

What is the freezing point of love?
When you were cold, whose

belly did you curl into, whose ear
gathered your breath and returned it

warm and with the promise of bees
producing honey? Your name floats

above my outstretched hand,
and unable to grab it, I blink and turn

away. Nothing works as it should.
I exhale. You push the door shut.

 

* * *

“Simplify, as in Forget” first appeared in the print journal Good Works Review in February 2018, and is included in the anthology Lost & Found: Tales of Things Gone Missing, Wagon Bridge Publishing, 2019.

Letter to Wright from Between Gusts

pickles

 

Letter to Wright from Between Gusts

Dear Tami: The wind here speaks an undiscovered language:
diffident, it lurks in the background, stuttering, fingering
everything, shifting directions, mocking us, barely noticeable
until it gets pissed off and BLOWS! Then, shit happens. Pickle
jars appear in purses. Love notes remain unwritten. Shingles
flap across the lawn and idiots are elected to office (nothing new,
I know). When I was a kid I marveled at those fortunates who
lived under the same roof for years, for decades, entire lives, while
my family rolled around the globe, collecting vaccination scars
like postcards or nesting dolls. How interesting, I thought then,
to know and be known, to avoid the perpetual newcomer’s
path. Having shared this house with my wife and various dogs,
birds, rodents, insects and arachnids for thirty-three years, I now
know this – home is not a stationary edifice. No cornerstone
defines it any better than fog rubbing the juniper’s tired back,
or courting mayflies announcing warmth’s arrival in their brief
pre-death interludes. Desire is a feckless mistress; after obtaining
the prize, we miss the abandoned and wonder what might have
been. When you arrive at your new town remember this: no one
is stranger to you than yourself. I speak from experience, having
absorbed differences at one end only to watch them emerge
hand-in-hand at the other, like newborn twins or nearly forgotten
reminders of an uncle’s kindness in a year of typhoons and sharp
replies and rebuilt lives. Home is a smile, a lover’s sleepy touch
at 3 a.m., or the secret knock between childhood friends reunited
after decades. It lives in soft tissue, not steel, and breathes water
and air, flame and soil and everything between. But it can’t exist
without your mind and body lugging it around. I would like to
tell you what the wind is saying, but it’s singing different tunes
these days, and my translation skills begin and end in that still
place between gusts, floating in the twilit air like so many empty
pockets. These are the only words I have. Not much to hang a hat
on, and I apologize for my shortcomings and inability to expound
with clarity. I speak in poetry, but mean well. May your moons
be bright and your winds wild yet gentle, even if you can’t fathom
their meaning. I’ll keep trying if you will. All the best, Bob.

* * *

“Letter to Wright from Between Gusts” was first published in The Lake in August 2017, and is also included in Volume 2 of Oxidant/Engine’s BoxSet Series, as part of my 10-poem collection titled “The Language of Bread and Coffee.”

 

Tree

DSC_0009

Tree

where you go
the wind follows
as if no

choice remains but
that of sun
and oak an

attraction such that
limbs curve to
light a certainty

which cautions us
to intrude lest
we lose all

sight and sense
of beauty you
are this tree

 

A Walk Through the Live Oaks

 

Written in the 80s, “Tree” first appeared here in December 2014.

Morning Suizen

 

Morning Suizen

Boundless, it sips direction in the way of all music,
tonguing each note for its salt.

We call this ecstasy. Or peace.
Follow, and they still escape, always beyond
our outstretched fingers.

Exhale slowly. What do you know?

That long tunnel, ribbed in silence.
The scent of burning cedar.
Days framed in darkness and birdsong.

 

* * *

Note: Suizen is the practice of playing the shakuhachi, the traditional Japanese bamboo flute, as a means of attaining self-realization.

 

“Morning Suizen” first appeared on Nine Muses Poetry. Many thanks to editor Annest Gwilym for taking this piece.

Houston

 

 

Houston

The difference in street and river.
Of sanctity and dreams, bones and water.
He offers prayer and thought, but no refuge.
The bruised sky continues weeping.
Frightened, the dog paces her narrow island.
Tents flap in the rooftop breeze.
I sit in comfort, watch the screen,
flowers, like gravestones, lining the walls.

 

 

“Houston” was first published at The Green Light in April 2019. Many thanks to editors Caitlin and Ash for taking this piece!

 

 

Love in the Time of Untruth

 

Love in the Time of Untruth

They look through us,
fingers scrabbling
through the soil
of a neighbor’s lush garden,

saying “we do this for you.”

Uprooting plants, desecrating
history, palms out, demanding more

they exchange trowel
for shovel,
hoe for explosives,

concentrating on their return
on investment.

Bewildered, we hold hands and watch.

 

 

“Love in the Time of Untruth” made its first appearance at Clementine Unbound. Many thanks and much admiration for editor G.F. Boyer for taking this piece and for being so kind during a difficult time.

 

 

Two Poems Up at Backchannels

 

My poems “Self-Portrait as Smudge” and “The Inevitable” are live at Backchannels. Many thanks to the editors for taking these pieces.

 

 

 

Ramekin

 

Ramekin

I speak when you speak,
say nothing to your everything.

The world is a ramekin filled with bits of ourselves.

It is a recipe for error,
a list of adorations and illusion.
You take my hand and say when I’m gone
there will be others.

The ingredients include vinegar and salt, but no honey.

You hear what I hear, only more.
Teach me to breathe.

Empty this dish.

Tell me.

 

 

“Ramekin” was first published in the online anthology Igxante: An Ontology. I am grateful to editor Kate Morgan for taking this piece.

Two Poems Up at Recenter Press

 

My poems “Fossil Egg” and “Cyclops” are live at Recenter Press, a publisher “dedicated to sharing work that is grounded in both the spiritual and the material.” Many thanks to the editors for taking these pieces.