Variations on a Theme

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Variations on a Theme

1. The Long Night

We envy the shadow its attributes, its willingness to subside,
but what of its flesh?

I lay in the field and wept.

Think of the fragrance, the moist leaves
enveloping the still

warm body. In retrospect, I realize that I should never have left, that air
returns to voided space despite all attempts to disavow

light, that wind and rain and soil alike filter through the chest’s
cavity, that stones may bear one’s touch in perpetuity.

At nineteen, death had gifted nothing to my world.
At twenty, little else remained.

So close, so lovely.

2. The Loneliness of Shadows

Light collapsing around a point. The two-headed flower.

In my dreams, no one speaks.

Not the thing itself, the bud bursting forth, petals ablaze with color,
but rather change: the process reinforced.

Sleep seldom shows such kindness.

Or its fruit, redolent of sun and rain, withdrawn and shriveled,
and finally, ingested.

Yesterday I woke damp but unafraid.

3. Alchemy

Stones never talk, but they rise from the earth, appearing as if by invitation.

The way silence lines an unfilled
grave, which is to say as below

so above, an infinite murmur open to the night.
And other notions: transpiration.

Waste.
Sublimation. Calcination and burning.

At times I have withdrawn
like water from the air’s

body, fearful yet reckless in the act.
That evening the moon flickered and the shadows lay at our feet,

and all the words we never framed,
the bitters our tongues could not know, the wasted

music and abandoned caresses, those words,
sighed into the ground, leaving you adrift, alone.

But how else might one transform darkness to light?
Or the reverse.

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This originally appeared in Boston Poetry Magazine in April, 2014, and was first posted here in July of 2015..

My micro-chapbook Interval’s Night is available for download from Platypus Press

 


Interval’s Night
is the 10th release in the Platypus Press 2412 chapbook series. I’m thrilled to have work included in this series. Please take time to peruse the other recently released works.

Two Poems Up at The Galway Review

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I have two poems up at The Galway Review, one of which is also included in Interval’s Night, my recently released mini-digital-chapbook, available for free download at Platypus Press.

My Poems “Scarecrow Remembers” and “Scarecrow Sees” are up at The High Window Journal

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I’m delighted that my poems “Scarecrow Remembers” and “Scarecrow Sees” are up at The High Window. Many thanks to editors David Cooke and Anthony Costello for their interest in publishing American poets.

My Poem “The Resonance of No” is Up at the December Issue of Gravel Literary Magazine

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My poem, “The Resonance of No,” is up at Gravel.

Forced to Eat Soft Food, I Consider Options

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Forced to Eat Soft Food, I Consider Options

What good is pizza to one who can’t eat it? I’m thinking of a rolled crust
stuffed with prosciutto and parmesan, with onion strands and whole

basil leaves nestled among them, accompanied by a frothy pale ale,
bitter yet smooth and tuned so finely as to flit comfortably between the

notes of a liquid arpeggio. Or if not pizza, perhaps a red chili of braised
and shredded beef seasoned with ancho and chipotle and a smidgeon

of chocolate and beer, simmered slowly and served on the year’s
coldest day in front of the fireplace. I have so much and am grateful

for so little. My clothes are warm and dry, and the eggs I’ve poached
offer me sustenance and flavor and textures wrought of memories

of childhood and comfort, family and treasured books at hand. Then
I think of water and protectors, of standing rocks and centuries of

abuse and neglect and lies bred to fill coffers, and I wonder if we
could pile stones ten horses high around the cowards who spray,

bludgeon and strip search, who fire water cannons in sub-freezing
temperatures, and throw concussion grenades directly at pacifists, all

for the cause of holy oil. What good is pizza to those who can’t swallow?
I fork a bite of egg to my mouth, and choke, but only for a moment.

 

pizza

 

 

In This I Find You Again

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In This I Find You Again

If there is truth to be found
let someone find it. The yellow

rose rests in its jar. Day and
night it looks out through the glass

at the world of altered
lines, sensing, perhaps, beauty

through its failure to prevent
fading. Each morning I wake

and think of you. The hibiscus
on our patio readies itself to blossom,

but pauses as if to prolong
the moment, waiting for a reason

to end its denial. Then it unfolds.
You are all I care to find.

* * *
This first appeared in June 2015.

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Nocturne (Blue Grosbeak)

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Nocturne (Blue Grosbeak)

Why tremble
when nothing
arrives to be seen?

The architecture
of the day
comes and goes

in the same
heartbeat,
a disturbance

more felt than heard.
But listen.
The grosbeak sings

his presence
and departs,
leaving behind

the echo
of a motion
blending with night.

The air is cool.
A leaf utters
its own message

and falls
unnoticed.
Nothing awaits it.

 

This first appeared in February 2015.

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A Poem from My Recently Published Micro-Chapbook has been Nominated for a Pushcart Prize

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The editors of the Origami Poems Project have nominated “Parting from Wang Wei,” a poem from my recently published micro-chapbook, No Eye But the Moon’s: Adaptations from the Chinese, for a Pushcart Prize. Many thanks to Jan and Kevin Keough for this honor. The chapbook is available via free download from Origami Poems Project. And please peruse their site for other titles and folding instructions.

 

Arthritis

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Arthritis

If at night I stray in thought,
dreaming of nimble fingers

and my departed dog’s walk,
will you smile

when I scratch his absent ear
and apologize for the times

I failed him? Even combined,
all the words in these unread books

could never soothe the guilt
of leisure and complacency, nor

match the joy of jumping
for the kicked ball, no matter the

outcome, despite the consequences.

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