Bandera

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Bandera

I offer nothing in return, and in offering, receive.
My mouth is a river

whose current bears no words,
but the silence is not of my making.

Notice the streets and their grey
hunger, the rain and the sun

passing by much
as one passes an unopened door.

That question, unvoiced.
That shiver preceding the icy touch.

You may deny my motives.
You may deny my existence and

the very notion of shape unto form.
I offer nothing, and in offering, receive.

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“Bandera” first appeared here in May 2015, and was subsequently published in The Basil O’Flaherty in November 2016.

The Neurotic Dreams September in April

 

The Neurotic Dreams September in April


Already I have become the beginning of a partial ghost, sleeping the summer
sleep in winter, choosing night over breakfast and the ritual of dousing lights.
This much I know: the moon returns each month, and tonight you lie awake
in a bed across the river, in a house with sixteen windows and a cold oven,
where your true name hides under the floorboard behind the pantry door.

*

Differences season our days — from flowers to snow, root to nectar — take
one and the other lessens in its own sight. One day I’ll overcome this longing
for things and will be complete in what I own, living my life beyond the page,
past the white space and dead letters. When I mention hearts, I mean that
muscle lodged in my chest. Genetics, not romance. Tissue. Arteries, veins.

*

Dark cars on the street. Cattle grazing in the damp pasture. The liquor store
sign glaring “CLOSED.” Separate yet included, we observed these scenes but
assigned them to the periphery, grounded in our own closed frames. In a
different time I would transcend my nature and strive to withstand yours.
Look. That star, the fog silhouetting the tombstones. A bobbing light.

*

Love is a gray morning, a steel-toed shoe or coating of black ice; nothing you
do will repeal its treachery. There, on my stone porch, I will inhale the smoke
of a thousand burned photographs. The sun will descend but you won’t share
it, and I’ll no longer hum your tune. When I rise no one sees. Or everyone
stares. Imagine that great cow of a moon lowing through the night.

 

“The Neurotic Dreams September in April” was published in deLuge in December 2016, and was written during the August 2015 Tupelo Press 30-30 challenge. Many thanks to artist extraordinaire Ron Throop for sponsoring and providing the title.

The Sky Refutes East and West

nest

The Sky Refutes East and West
 

Here, the horizon lingers.
The open eye, the mouth’s shape.

A hoop, the circle without iris.

Does the screech owl acknowledge latitude and hemisphere?

The Semitic alphabet contained no vowels, thus O
emerged as a consonant with a pupil, morphing into a dotted ring,

and later, with the Greeks, an unembellished circle (which of course

they cracked open and placed at the end). The female lays eggs

on the remnants of earlier meals lining the bottom of her den.
If you listen at night you might hear the purring of a feathered

cat (the Texas screech owl’s call varies from that of its eastern cousins).

The difference between sphere and ball.

To pronounce the Phoenician word for eye, sing the lowest note possible,
then drop two octaves. They usually carry prey back to their nests.

Screech owls are limited to the Americas.

Coincidence and error, the circumference of other.

***

“The Sky Refutes East and West” was first published in Prime Number Magazine, and also appears in my chapbook The Circumference of Other, included in Ides: A Collection of Poetry Chapbooks (Silver Birch Press, 2015). It made its first appearance here in May 2016.

eastwest

 

Recording of “The Draft”

 

The Draft

All memories ignite, he says, recalling
the odor of accelerants and charred

friends. Yesterday I walked to the sea
and looking into its deep crush

sensed something unseen washing
out, between tides and a shell-cut foot,

sand and the gull’s drift, or the early names
I assign to faces. This is not sadness.

Somewhere the called numbers meet.

 

“The Draft” first appeared in Taos Journal of International Poetry & Art.

 

Publication of My Chapbook Has Been Delayed

From Every Moment a Second

Finishing Line Press has pushed back the publication date of my chapbook, From Every Moment a Second. It should be released in mid-November. If you haven’t ordered it but intend to, you may do so here.

Many, many thanks to the members of this blog community for supporting my writing.  I am truly grateful for your wisdom, advice, humor and willingness to help me traverse the strange and wonderful worlds of poetry and publication.

The Draft

 

The Draft

All memories ignite, he says, recalling
the odor of accelerants and charred

friends. Yesterday I walked to the sea
and looking into its deep crush

sensed something unseen washing
out, between tides and a shell-cut foot,

sand and the gull’s drift, or the early names
I assign to faces. This is not sadness.

Somewhere the called numbers meet.

 

“The Draft” first appeared in Taos Journal of International Poetry & Art.

 

Poem Published in Wildness

I am grateful that my poem “Yellow, Lost” has been published in wildness, Issue no. 10. wildness is an imprint of Platypus Press, which published my work Interval’s Night, a mini-digital chapbook, last December in their 2412 series. If you’re not familiar with wildness, check it out. Last fall Poets & Writers named it in their article Nine New Lit Mags You Need to Read.

 

 

Six Poems at Underfoot Poetry

gull

I’m thrilled to have six poems up at Underfoot Poetry. Many thanks to Tim Miller for adding me to his line up. A note on the formatting: your screen may adjust the lines, especially on the first four poems, which consist of a phrase per line. To get the intended effect, you could widen the screen setting. But you might prefer the interesting enjambment offered by your default setting.

Ocean Vuong Reads and Discusses His Poem “Toy Boat”

In this powerful four-minute clip on the Poetry Foundation site, Ocean Vuong reads and discusses his poem “Toy Boat,” in memory of Tamir Rice.

 

Recording of “Forgetting Charm”

“Forgetting Charm” first appeared in Issue Two of The Icarus Anthology.