Meditation in White

lily

Meditation in White (Lilies)

Clouds pass my high window quickly, abandoning the blue.
Indefinite mass, indeterminate, impersonal

as only intimates may know.
Though you lay there, nothing remained in the bed.

Which is the blank page’s gift, the monotone
or a suggestion of mist and stripped bones.

The nurse marked the passage with pen on paper.
Renewal, departure. A rising.

I accept the ash of suffering
as I accept our destination, the morning

and its offerings, with you in synthesis,
complete and empty, shaded in contrast,

wilting, as another opens. Laughter eases the way.

***

page

This was first published in Shadowtrain, and made its first appearance here in March 2016.

Door

door

Door 

What would you conceal?
Or open to. Could you unfurl

your fist to daylight
and shudder loss away — one key,

one digit, one death — presuming the universe
and all its hinges available for inspection

behind yet another unlatched presence.
And this spinning disk,

how shall we step off? Every moon
sheds its coat. Listening, I turn the knob.

mooncoat

“Door” first appeared on the blog in September 2016.

The Loneliness of the Last

The Loneliness of the Last

Always exposed, never sharing the comfort
of between, you see only the departed

diminishing with each second’s passage, blurring,
shrinking, and finally blinking out, all points

erased in the null, an eye closing in the tunnel.
Or, inhaling the fragrance of an unseen orange

grove filtered through coal and thick, black
coils, you accept the limits of possibility,

known only by edges flowing past, lost
to touch and forever beyond reach in the draft

of the inadmissible. Departure defines
you. What lies ahead is not yours to embrace.

* * *

“The Loneliness of the Last” was published as a mini-broadside by ELJ Editions in February 2017.

Loneliness

“Trem Abandonado” by Rafael Vianna Croffi
(https://www.flickr.com/photos/rvc/29472173566)

 

Poem Up at MockingHeart Review

I’m delighted that my poem “This Island is a Stone” has been published in the latest issue of MockingHeart Review. I am grateful to editor Clare Martin for accepting this piece.

Echo Charm

Echo Charm

Right on left, or returned

what circles back, unbroken
yet opened?

Your mouth centers me.

Diminished, I rise, listening.

Grass rubbing against grass.
The lizard’s scarlet throat, swelling.

Not refusal, but denial.

Eyes the color of blood.

You practice your words carefully,
repeating each special phrase.

Blood the color of sky.

Sky the color of eyes.

And always the warm shade.

Two Poems in The Icarus Anthology

My poems “Shadow Charm” and “Forgetting Charm” are live at The Icarus Anthology.

 

 

How to Take an Amazing Photo of a Solar Eclipse

Today, of all days, I just had to reblog Stephanie L. Harper’s poem!

stephanielharper's avatarSLHARPERPOETRY

Eclipse.PNG“Solar Eclipse with Sunspots” by Matthew Harper

First,
get knocked up,
plan a wedding in three months
and waddle down the aisle in white pumps
that fit you when you bought them. 

Gain a total of forty-eight pounds
while throwing up for forty weeks,
and give birth to a nine-pound baby boy,
who is bigger and cries louder than any other
newborn in the maternity ward. 

After you blink once or twice,
find yourself moving across the country
for your husband’s engineering job,
with three cats, the six-week old baby,
and all of their respective paraphernalia
crammed into a purple minivan. 

Critical Step: Raising Your Boy
To do this, start learning more about more things than you knew existed;
begin appreciating that this cherubic, gorgeous,
but almost alien issue of your loins
sees individual ice crystals in distant clouds,
hears crickets chirping at dusk
over the sound of rush-hour traffic,

View original post 538 more words

Nocturne with a Line from Porchia

bureau

Nocturne with a Line from Porchia

Everything is nothing, but afterwards.
I rise and the moon disturbs the darkness,
revealing symbols, a few stolen words
on the bureau. Tomorrow I’ll express
my gratitude by disappearing be-
fore I’m found, which is to say goodbye
before hello, a paradigm for the
prepossessed. Compton tells us to imply
what’s missing, like Van Gogh or Bill Monroe,
but why listen to the dead before they’ve
stopped speaking? Unfortunately we throw
out the bad with the good, only to save
the worst. I return to bed, and the floor
spins. Nothing is everything, but before.

 

This first appeared in The Blue Hour Magazine in December 2014, and is also included in my chapbook, If Your Matter Could Reform. The line “Everything is nothing, but afterwards” comes from Antonio Porchia’s Voices, translated by W.S. Merwin. Porchia wrote one book in his lifetime, but what a book it was! Often described as a collection of aphorisms, Voices is so much more – each time I open the book, I find new meaning in old lines.

Vincent

Dog

photo(18)

 

Dog

Not away, but after
or contrary,

the reversal indicative
and untoward: scratching,

she spirals to the perfect
spot between us, touching both,

then sighs. In comfort, in ecstasy,
in contentment, who can say?

But we sigh in response.

 

SONY DSC

“Dog” first appeared on the blog in October 2014. The photo is of Apollonia, aka Apple.

Recording of On The Burden of Flowering

“On the Burden of Flowering” first appeared in Panoply in August 2016, and is included in my chapbook, From Every Moment a Second, which is available for pre-publication order until Friday, August 11.

 

Music by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/