Recording of Requiem II

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Requiem II

To say what becomes: this word
bends in the wind of our

breath. Is this too simple to
say? Our bodies gather yet retain

nothing. Numbers, phrases, the way
the ocean rolls. Once I saw
a whale at dusk. Or rather I saw its

tail part the water and disappear
into darkness, an answer too complex
and sweet for tongues to comprehend.

But waves seldom explain. Imagine
something nearby but beyond reach.

Think of clouds and shrines, consider light.

image

“Requiem II” last appeared here in June 2017.

“Bittersweet” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

Recording of “Shadow Charm”

Shadow Charm

When you place your mouth
to my ear

how does the ocean know
which wave

to relinquish?
In your darkness I find teeth.

Blessings of the meek-throated.

A ribbed tunnel. Codicil.

Your tongue scrawls: too late,
the unsaid     nerve-sparked and

dilated     too late

And my skin replies: with
lightning     all strikes

count     to each its charge

“Shadow Charm” was published in August 2017 in The Icarus Anthology.

Jackboy’s Pride

photo(9)

Abused, abandoned and left to die of thirst or predation almost sixteen years ago on a largely uninhabited county road terminating at our rural property’s entrance, Jackboy brought much laughter and comfort to our household. Tireless shadow, friend, writing partner, loyal companion and protector, he was, and will remain forever, a good boy – in his estimation, the highest possible praise. Nearly four years have passed. We miss him.

Jackboy’s Pride

Through patience,
recognition eases in: the patterns

of repetition and praise
and joy in task. The orange ball. A scorpion’s

tail. How we delight in sharing each
victory. And with the breeze

runs other unspoken tales – a neighbor’s
cruelty, bones, the pregnant raccoon

lumbering through the cedars. But nothing
deters the jump and the following drop.

He nips heels where none exist. We follow.

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Awakened, He Turns to the Wall (Cento)

cell

Awakened, He Turns to the Wall (Cento) 

Then, everything slept.
Where were you before the day?

You see here the influence of inference,
whereby things might be seen in another light,

as if the trees were not indifferent, as if
a hand had suddenly erased a huge

blackboard, only, I thought there was
something even if I call it nothing,

like the river stretching out on its
deathbed. No one jumps off.

* * *

A cento is composed of lines from poems by other poets. This originated from pieces by: Larry Levis, Jacques Roubaud, Lorine Niedecker, Gustaf Sobin, Denise Levertov, Elizabeth Spires, William Bronk, Vicente Huidobro, Ingebord Bachmann

For further information and examples of the form, you might peruse the Academy of American Poets site: http://www.poets.org/poetsorg/text/poetic-form-cento

erase

This last appeared here in February 2017.

Nocturne with Flame

Closeup of campfire.

Nocturne with Flame

Not imposition, but welcome.

Another’s stirred embers, banked
and forming the kindling’s base.

Thus the licked paper curling with smoke,
stars shooting into the blackness,
and finally, exploding light
transformed to heat.

From one’s loss, another’s gain.

The flickering on my cheek.
Inhaled bitterness and memory.
The wait, the period before.

Like the owl in the live oak,
or the mice under our floor
returning, I celebrate the cycle,
and grow warm.

mouse

“Nocturne with Flame” appeared in The Galway Review in December 2016.

Acceptance Charm

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

Acceptance Charm

She’ll take the river’s trace
over curl      and leaf

and the street’s
dead end,

riveting eyes
even as they blink.

The narcotic’s       benediction.

Renewal. Sleep.

That bed      remains unmade,
stripped of purpose: no

caress     a thigh would
recognize

dark fingers      writing in air

dead-end

“Acceptance Charm” last appeared here in December 2016.

River Carry Me

 

River Carry Me

I approach the window with closed eyes.

In this case, the between dissolves.

Without form and weight, still you linger.

A ticketless morning unfolds.

The water flows in braids, through stone and air.

Before my limits enact pity, before falling fruit.

Images condensed throughout the night.

An inheritance of trees curving towards the horizon.

One exactly as another’s, only different.

* * *

“River Carry Me” first appeared in Underfoot in October 2017.

Recording of “Yellow, Lost”

Yellow, Lost

The forgotten poem, existing in title only: Yellow.

Which is a bruise at three weeks, or memory’s shade in autumn.

In what black folder does it hide? In which blinding light?

I take comfort in primaries, lose sleep at the edges.

Where fraying begins and annotation dwindles to scrawled lines.

Above the bones and flesh of the Egyptian gods. Above my books.

Within these lost minutes. Those moons, bereaved. The hours.

Desire germinates even after our rainless decades. Yellow, again.

The color of sulfur (the devil’s realm) or the traitor’s door.

Of cowardice and warning. Of aging and decay.

How to recover what’s sifted away, the residue of our loves?

Each day more bits break off, never to be reattached.

But you, I blend with the sky, perfecting trees, the grass.

* * *

“Yellow, Lost” was published in wildness, Issue no. 10, in October 2017. wildness is an imprint of Platypus Press, which published my work Interval’s Night, a mini-digital chapbook, in December 2016 in their 2412 series. If you’re not familiar with wildness, check it out. In fall 2016 Poets & Writers named it in their article Nine New Lit Mags You Need to Read.

Yellow, Lost

Yellow, Lost

The forgotten poem, existing in title only: Yellow.

Which is a bruise at three weeks, or memory’s shade in autumn.

In what black folder does it hide? In which blinding light?

I take comfort in primaries, lose sleep at the edges.

Where fraying begins and annotation dwindles to scrawled lines.

Above the bones and flesh of the Egyptian gods. Above my books.

Within these lost minutes. Those moons, bereaved. The hours.

Desire germinates even after our rainless decades. Yellow, again.

The color of sulfur (the devil’s realm) or the traitor’s door.

Of cowardice and warning. Of aging and decay.

How to recover what’s sifted away, the residue of our loves?

Each day more bits break off, never to be reattached.

But you, I blend with the sky, perfecting trees, the grass.

* * *

“Yellow, Lost” was published in wildness, Issue no. 10, in October 2017. wildness is an imprint of Platypus Press, which published my work Interval’s Night, a mini-digital chapbook, in December 2016 in their 2412 series. If you’re not familiar with wildness, check it out. In fall 2016 Poets & Writers named it in their article Nine New Lit Mags You Need to Read.

Poem Up at Kingdoms in the Wild

My poem “Dictionary of Dreams” is up at Kingdoms in the Wild. Many thanks to the editors for accepting this piece.