On Air Conditioning
The man who owns everything wants more.
Another offers his sandwich,
accepting grace with a smile.
Like vapor condensing in a coil
to remove heat from the air.
Difficult to comprehend.
Harder to live.
Aleppo
A father sings to his son,
dead two days,
and the platitudes persist.
Widow of night. Lantern’s trick.
What trace, you wonder,
exists of humanity in these etched
walls? Light bleeds through a crack
like rules unheeded and scattered.
Another sheer looming of hours.
The song, continued.
“Aleppo” was first published in Vox Populi in August 2018. I am grateful to editor Michael Simms for his continuing support of my work.
Night Smoke
Incomplete, it rises
only to dissipate
like the griefs we shape,
somehow unnoticed,
beyond reach but felt.
Last night’s moon, the glance.
Forgotten stars, a withheld
kiss, words we never formed.
How difficult to be lost.
So easy to remain unseen.
* * *
“Night Smoke” last appeared here in February 2019.
As Breath Defines Constriction (Solar Wind)
The snake swallows itself, integrating the opposite. Or, illustrating the
nature of earthquakes, encourages conjecture.
Wind meditation. The practice of circling mountains, of emptying oneself.
Matter accelerating away from the sun. The prickly pear on the roof.
The Tendai monks of Hiei run 40 kilometers each day for 100 consecutive days.
Only then may they petition to complete the thousand-day trial.
Coronal mass ejections temporarily deform the Earth’s magnetic field.
I sweat while driving to the store for cold beer.
The heliopause is the point at which the solar wind’s strength is no longer
sufficient to push back the interstellar medium.
No matter its destination, a comet’s tail always points away from the sun.
At which point does one hear the sound of sunlight entering stone?
They must complete the thousand-day challenge or die. To this end,
each monk carries a knife and length of rope on his journey.
A map is simply paper. Solar wind, cord of death.
Stones in the path, quivering earth. Eyes focused ahead.
***
“As Breath Defines Constriction” is included in The Circumference of Other, my offering in the Silver Birch Press publication, IDES: A Collection of Poetry Chapbooks, available on Amazon.
Your Armpits Smell Like Heaven
But your breath could melt a glacier at three
miles, she says, and then we might consider
the dirt under your nails, the way you slur
your sibilants, and how you seldom see
the cracked eggs in a carton, a downed tree
branch in front of you, the ripened blister
of paint in the bedroom, or your sister
lying drunk on the floor in her own pee.
Back to your armpits. Do you realize
we could bottle that aroma and make
a fortune? I inhale it and forgive
your many faults. The odor provokes sighs
and tingles, blushes I could never fake.
Ain’t love grand? Elevate those arms. Let’s live!
Never in my wildest dreams did I envision writing a poem about armpits. But the August 2015 Tupelo Press 30-30 challenge, and Plain Jane, the title sponsor, provided that opportunity. This first appeared here in April 2016, and was subsequently published in Algebra of Owls. Many thanks to editor Paul Vaughan for taking it.
My poems “November Suizen” and “Beer Bottle Suizen” are up at Subterranean Blue Poetry. I’m grateful to editor Rebecca Anne Banks for publishing these two pieces.
Scarecrow Sees
Da Vinci maintained that sight relies on the eye’s
central line, yet the threads holding my
ocular buttons in place weave through four
holes and terminate in a knot. My flying friends
perceive light in a combination of four colors,
unlike the farmer, who blends only three. The
octopus knows black and white but blushes
to escape predators, while I remain fixed,
evading no one. Certainly my sense is more
vision than sight, and not the result of nerve
fibers routing light. Crows choose colors
when asked, but a certain shade of yellow
eludes them. And who would hear, above
the flock’s clamor, my claim to see this world
as it is? Grayscale, monochrome, visual
processing and perceptual lightness measures
mean little to one whose space accumulates
in uncertain increments – what is a foot to an
empty shoe? If I painted, which hues would
prefer my attempts, which would distract or
invade my cellulosic cortex, resulting in
fragmentation or blindness? Fear is not
limited to the sighted alone. I look out over
the field and perceive the harmonious
interaction of soil and root, leaf and sun,
the beauty of atmospheric refraction and
the wonder sprouting daily around me. Then
as one entity the crows explode into the blue,
leaving me alone with the shivering stalks,
questioning my place and purpose, awaiting
the next stray thought, a spark, a lonely
word creeping through this day’s demise.
This was written during the August 2015 Tupelo Press 30-30 Challenge, and was published by The High Window in December 2016.
Listening to Cicadas, I See Charlottesville (Ghazal)
Shedding one coat, you live in the red, apart
from the rest. Never together, forever apart.
In this sun-drenched field, the cracks drill deeper,
wider, dribbling soil and small lives, expanding, apart.
What falls truer than any words released from this man?
Once divided, never again to touch, always apart.
The electric shrill fluctuates pitch, in unison. Hundreds
of tymbals, shredding dusk, now together, then apart.
You narrow your eye to a slit, but still see the entire
spectrum. Wing clicks, stridulation. Whole yet apart.
Shearing syllables, I learn the language of half-truth.
What is my name? I reach for that fragment. It falls apart.
Self-Portrait as Border
Some rivers shift course, but
I stand firm, a nexus of rejection,
that line denoting separation of north
and good, evil and south, dark and
white. Welcoming no one, I stand
guard, opposing all with my flag
of diminishment. Squint, and you
still can’t see me. Your bare feet
won’t stir my dust. I am nowhere,
but remain here — that feeling of
prideful despair, strong, resolute,
inflexible foe to all who dare cross.
“Self-Portrait as Border” first appeared in October 2018 in Minute Magazine. Many thanks to the editors for taking my poem.
Awaiting Thunder, He Dreams
If all our voices were to meet in the atmosphere
what could the rain achieve?
When we give nothing we have nothing.
Is it enough to listen?
Wisps and heaps, ripples and sheets.
Accumulated, dispersed, fingers
unknotting death’s
grip, steps taken around the flames,
in caution, in delight,
imagining the greatest undoings.
“Awaiting Thunder, He Dreams” was first published in Red River Review, in August 2018.
O at the Edges 