After Before

mantis

After Before

A return to that
time when silence

reigned. The neighbor’s
guinea fowl have long

departed, but three cedars
drop needles in the driveway

even as reluctant growth
pushes out from the oaks’

limbs. Nothing circles
below the clouds, no

roosters crow. Feeders
hang still and empty.

The wrens remain
cloistered. You read

these events as separate
birdless chapters, all

hushed in the dappled
air, passages carried

yet confined by nearly
soundless threads

suspended from the
persimmon tree. You admit

a status as sentient
protein, one meal among

many, while you rest
and absorb

the soft ticking
of eighteen eager

juvenile mantises
on the porch screen.

feeder

“After Before” first appeared here in December 2015.

Driving to Work, I Pass Myself

 

 

Driving to Work, I Pass Myself

Some days the drive takes twenty minutes,
on others, thirty or more. Seems I might pass
myself on the right morning if time flexed its
biceps or looped me into a dimensional shift
thick with donuts and tires and lost minutes.
How odd it would be to wave and say “see ya,”
knowing that tendered frustration grows in
distance, until it takes over the entire mirror.
Looking back, I see my frown diminishing
to a lone point in that shrinking van at the
hill’s crest. Will we meet in the parking
garage? Should I wait? You know the rules.

Video: Lucille Clifton on Where Ideas Come From

In this short video the great Lucille Clifton reflects on where ideas come from.

You can find other Lucille Clifton videos at the Poetry Breaks series on Poets.org.

Self-Portrait with Bruise

deepfriedbutter

Self-Portrait with Bruise

Some damages announce, others conceal.
How else may we continue

despite our best
inattentions? And which treasure
do we truly hold

closer, the blood orange
or the blade
that parts its segments? At

thirty I would have chosen
one. At forty, the other. Now,
options spread like branches among the cedars.

Ruptured vessels reveal our lapses.

***

This was published in Shadowtrain in August 2015, and appeared here in March 2016.

orange

Forgetting Charm

 

Forgetting Charm

Even your bones remember what you’ve long discarded.

This field of stone grows beyond sight.

In our house the tang of burnt sugars.

You say I love you in four languages I do not speak,
but never in the one I claim.

We light fires with stolen paper.

Douse them with stored rain.

Fragmented memories fill our cupboards.

Did I once know you?

Take these words from me.
Bury them in daylight.

* * *

“Forgetting Charm” was published in The Icarus Anthology in August 2017.

Poem Swallowing Itself

OLYMPUS DIGITAL CAMERA

Poem Swallowing Itself

Reading aloud—
people turn their heads
and step back, never

imagining what lies behind,
expecting neither snakes
nor bear traps nor other ambush.

Beginning where one ends, or
continuing a conversation
over decades, the truth

rises then subsides,
like soaring vultures or
cubes in scotch whiskey.

Measuring volume by
glance, the poem shivers,
opens its mouth wide.

vulture

“Poem Swallowing Itself” first appeared here in April 2016.

Bone to Bone

chimes


Bone to Bone

He claims two sides frame every story.

I count three,      sometimes more,

believing in          multiplicity,

threats                concealed

but never

buried.      A dust devil twists across the path.
What ascends, what dies?

Heat, ashes.       A shadow’s flesh.

The earth, restraining all.

small town

“Bone to Bone” first appeared here in June 2016.

Agave

photo(2)

Agave

It might deceive.
Or like a cruel

window, live its life
unopened,

offering a view
yet reserving the taste

for another’s
tongue, ignoring

even the wind.
The roots, as always, look down.

* * *

This first appeared in Ijagun Poetry Journal in December 2013, was featured in poems2go in April 2016, and is also included in my micro-chapbook, You Break What Falls, available for download from the Origami Poems Project: http://www.origamipoems.com/poets/236-robert-okaji

image

Landscape with Jar

 

Landscape with Jar
(after Wallace Stevens)

What vanishes more readily than the breakable
and transparent? Not here, not now, it says,

never voluble in the morning. I have work.
The horizon exists simply in perception.

Try to touch it – the hill meets the sky
only from afar, offering discordance

up close, no measurement possible.
And among the trees and vines, a glimmer

of spite, twisted open. Moving closer, we see
through. We see rocks, a bird. We see air.

“Landscape with Jar” was first published in Birch Gang Review in July 2017.

Memorial Day, 2015

 

Memorial Day, 2015

I turn away from the sun, and drink.
Every window is dark.
No one hears my song, not even the guitar.
When the rain pauses the grackle rests on the cedar picket.
Etymology: from Latin memorialis, of or belonging to memory,
leading to home and family, their connotations.
Remembering is simple, she says. But forgetting…
The coral snake slips by, unseen.
Nothing lives in my shadow.

“Memorial Day, 2015” first appeared at Picaroon Poetry  in July 2017. Many thanks to editor Kate Garrett, for taking this piece.